A Quote by William Butler Yeats
My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theater business, management of men.
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O heart, be at peace, because
Nor knave nor dolt can break
What's not for their applause,
Being for a woman's sake.
?When the leaders speak of peace
?The common folk know
?That war is coming
?When the leaders curse war
?The mobilization order is already written out. Every day, to earn my daily bread
?I go to the market where lies are bought
?Hopefully
?I take up my place among the sellers.
?
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
I'm an old guy, and I was protesting during the Vietnam War. We killed fifty Asians for every loyal American. Every artist worth a damn in this country was terribly opposed to that war, finally, when it became evident what a fiasco and meaningless butchery it was. We formed sort of a laser beam of protest. Every painter, every writer, every stand-up comedian, every composer, every novelist, every poet aimed in the same direction. Afterwards, the power of this incredible new weapon dissipated.
A woman's work, from the time she gets up to the time she goes to bed, is as hard as a day at war, worse than a man's working day. ... To men, women's work was like the rain-bringing clouds, or the rain itself. The task involved was carried out every day as regularly as sleep. So men were happy - men in the Middle Ages, men at the time of the Revolution, and men in 1986: everything in the garden was lovely.
I curse Microsoft at least once a day. I only curse Apple every other day. As I see it, that's a 100 percent improvement.
Every knave is a thorough knave, and a thorough knave is a knave throughout.
Nothing more completely baffles one who is full of trick and duplicity than straigthforward and simple integrity in another. A knave would rather quarrel with a brother knave than with a fool, but he would rather avoid a quarrel with one honest man than with both. He can combat a fool by management and address, and he can conquer a knave by temptations. But the honest man is neither to be bamboozled nor bribed.
I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.
I came up with this idea to create an app. And the premise of the app is this: every problem in the bar business goes away when there's sales. You increase revenue and you solve every problem. It's when the revenues are low that [the business] doesn't work. So I wanted to put together an app that focused on top-line revenue, guest experience, and business management in a more organized way.
Every year at this time, an important phrase marks the season: peace on earth and goodwill towards men. It's so common we sometimes forget about what it really means - that we strive for a world without war, a society where we respect and help our neighbors, a place where we protect and uplift our most in need. This isn't a phrase we should live by for one day or one month. It's a set of values that must bond and motivate us every day.
The beauty of making theater is that you have to go and do it the next day. Making a show nightly is a really difficult skill. It's something every theater actor and every theater maker is challenged with.
Every year, we ask our donors to dig deeper. And every year, they gladly, generously comply. It is now up to us to find ways and means to forestall the day when they cannot - or will not. Or the consequences for people in war zones could be disastrous.
While I have never been more excited about SecondMarket, I have chosen to move on from day-to-day management of the private company/fund business so that I can focus 100% of my energy on our digital currency business.
I designed a theater magazine that was full of plays and essays about the theater, and then I worked at a theater school. By osmosis or something, I was learning from reading plays and not being analytical about them, but when I would read them, the joy in me was mostly from imagining them in my head and visualizing them.
I'm an old guy, and I was protesting during the Vietnam War. We killed fifty Asians for every loyal American. Every artist worth a damn in this country was terribly opposed to that war, finally, when it became evident what a fiasco and meaningless butchery it was.
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