A Quote by William Butler Yeats

I say that Roger Casement
Did what he had to do,
He died upon the gallows
But that is nothing new. — © William Butler Yeats
I say that Roger Casement Did what he had to do, He died upon the gallows But that is nothing new.
Michael Jordan was blessed by God to play basketball and Roger Brown was the closet person to him I ever saw. I don't say that lightly. Roger was phenomenal. There was nothing he couldn't do. He was so quick he would trick people blind - I even saw him miss layups because he was laughing so hard at what he had just done to someone.
A death-blow is a life-blow to some Who, till they died, did not alive become; Who, had they lived, had died, but when They died, vitality begun.
While I have felt lonely many times in my life, the oddest feeling of all was after my mother, Lucille, died. My father had already died, but I always had some attachment to our big family while she was alive. It seems strange to say now that I felt so lonely, yet I did.
That was after Napoleon died because there is still a controversy as to whether Napoleon was poisoned with arsenic. And the French say the British did it and the British say the French did it, but he died before the test for arsenic was available.
The key to gallows humor is to make the joke, no matter how certain the gallows is.
I try to offset any tendency towards the macabre with humour. As I see it, this is a typically English form of humour. It's a piece with such jokes as the one about the man who was being led to the gallows to be hanged. He looked at the trap door in the gallows, which was flimsily constructed, and he asked in some alarm, 'I say, is that thing safe?
Mum and Dad died of heart problems, my grandparents died of it, my sister has had mini strokes, my brother has had a heart attack - it's genetic; there's nothing I can do.
I was 22 when my mother died; my baby sister was 12. We had nothing. We had each other, but we had nothing.
I guess I'm like Roger Miller who used to say that he didn't have as many jokes as he thought he did.
Where Charlie Christian left off, Papoose started a new thing; he was an innovator of the guitar. The things he did during his recording career with Fats Domino in the Fifties and Sixties until the day he died was as much a part of the music of New Orleans as anybody else has had to offer.
In that time and by God's will there died my mother, who was a great hindrance unto me in following the way of God; my husband died likewise, and in a short time there also died all my children. And because I had commenced to follow the aforesaid way and had prayed God that He would rid me of them, I had great consolation of their deaths, albeit I did also feel some grief.
I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.
If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all [people who had worked with Roger Corman].
Roger Casement is an intriguing figure - humanitarian, Irish revolutionary, gay - and much had and would be written about him, there was something about his character as a conflicted man, an Irish Protestant who spent much of his time representing England in different African nations, a gay man who, true to the times, kept his sexual orientation to himself, that kept playing in my head. I read on and around him, but a historical figure is not a story - it's not even a character - so my story, the one that I would develop into Valiant Gentlemen, had yet to reveal itself.
Peter Fonda was just this clean, cookie-cutter kind of a guy. Roger Corman turned him into the motorcycle man with The Wild Angels. Jack Nicholson, all of them, they all had these images that Roger Corman fueled, and Easy Rider, it was a big surprise to understand how much creative influence Roger had. A lot of people dismiss him as just launching famous people's careers or being a penny pinching producer, but he's so much more than that.
I am deeply honored to be making 'Life Itself,' a documentary on the life of Roger Ebert, and to have had the full cooperation and enthusiasm of Roger and his wife, Chaz.
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