A Quote by William C. Bryant

The moon is at her full, and riding high, Floods the calm fields with light. The airs that hover in the summer sky Are all asleep to-night. — © William C. Bryant
The moon is at her full, and riding high, Floods the calm fields with light. The airs that hover in the summer sky Are all asleep to-night.
The moon is at her full, and riding high, Floods the calm fields with light. The airs that hover in the summer sky Are all asleep tonight.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
Lyric night of the lingering Indian Summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent. The grasshopper's horn, and far-off, high in the maples, The wheel of a locust leisurely grinding the silence Under a moon waning and worn, broken, Tired with summer.
When we will all see our role in society as servants, we will all light up the sky together like countless stars on a dark night. Don’t think of society as the sky on a full moon night. The moon’s harsh light blinds us to the true and humble work of the stars. But on a moonless night, the true servants shine forth, as though they are connected invisibly in this vast and infinite cosmos.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
It was like noticing the sun. You couldn't help but see it, to turn to face the heat of it, to bask in the glory of it. But often when the sun is high in the sky, the moon is up there, too. A dim memory of what she will be in the night, but there, nonetheless, dim and misty, hard and white. At night, there is only the moon, the sun is nowhere to be seen. There are no distractions when the moon rules the sky.
Summer ends, and Autumn comes, and he who would have it otherwise would have high tide always and a full moon every night.
A kestrel can and does hover in the dead calm of summer days, when there is not the faintest breath of wind. He will, and does, hover in the still, soft atmosphere of early autumn, when the gossamer falls in showers, coming straight down as if it were raining silk.
Ever since we crawled out of that primordial slime, that's been our unifying cry: "More light." Sunlight. Torchlight. Candlight. Neon. Incandescent. Lights that banish the darkness from our caves, to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlight for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor... Light is knowledge. Light is life. Light is light.
The summer moon hung full in the sky. For the time being it was the great fact of the world.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
The sun sank with a sob and darkness waded in from all horizons so that the sky contracted and there was no more light left in the world, when, at this very moment of annihilation, the moon, as though she had been waiting for her cue, sailed up the night.
The summer ends and we wonder who we are And there you go, my friends, with your boxes in your car And today I passed the high school, the river, the maple tree I passed the farms that made it Through the last days of the century And I knew that I was going to learn again Again, in this less hazy light I saw the fields beyond the fields The fields beyond the field
The sky aft was dark as pitch, but the moon still shone brightly ahead of us and lit up the blackness. Beneath its sheen a huge white-topped breaker, twenty feet high or more, was rushing on to us. It was on the break-the moon shone on its crest and tipped its foam with light. On it rushed beneath the inky sky, driven by the awful squall behind it.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
The night walked down the sky with the moon in her hand.
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