A Quote by William Carlos Williams

Old age is a flight of small cheeping birds skimming bare trees above a snow glaze. Gaining and failing they are buffeted by a dark wind - But what? On harsh weedstalks the flock has rested - the snow is covered with broken seed husks and the wind tempered with a shrill piping of plenty.
Old age is a flight of small cheeping birds skimming bare trees above a snow glaze.
One must have a mind of winter to regard the frost and the boughs of the pine trees, crusted with snow, And have been cold a long time, to behold the junipers, shagged with ice, the spruces, rough in the distant glitter of the January sun, and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land, full of the same wind, blowing in the same bare place for the listener, who listens in the snow, and, nothing herself, beholds nothing that is not there, and the nothing that is.
In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, Snow on snow, Snow on snow, In the bleak midwinter, Long ago.
The wind that makes music in November corn is in a hurry. The stalks hum, the loose husks whisk skyward in half-playing swirls, and the wind hurries on.... A tree tries to argue, bare limbs waving, but there is no detaining the wind.
This is what I have heard at last the wind in December lashing the old trees with rain unseen rain racing along the tiles under the moon wind rising and falling wind with many clouds trees in the night wind.
How wonderful is Cold Mountain Climbers are all afraid The moon shines on clear water twinkle twinkle Wind rustles the tall grass Plum trees flower in the snow Bare twisted trees have clouds for foliage A touch of rain brings it all alive Unless you see clearly do not approach
At the Summer Solstice, all is green and growing, potential coming into being, the miracle of manifestation painted large on the canvas of awareness. At the Winter Solstice, the wind is cold, trees are bare and all lies in stillness beneath blankets of snow.
Snow pursued by the wind is not wholly unlike a retreating army. In the open field it ranges itself in ranks and battalions; where it can get a foothold it makes a stand; where it can take cover it does so. You may see whole platoons of snow cowering behind a bit of broken wall.
When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night.
Each solstice is a domain of experience unto itself. At the Summer Solstice, all is green and growing, potential coming into being, the miracle of manifestation painted large on the canvas of awareness. At the Winter Solstice, the wind is cold, trees are bare and all lies in stillness beneath blankets of snow.
It's a warm wind, the west wind, full of birds' cries; I never hear the west wind but tears are in my eyes. For it comes from the west lands, the old brown hills, And April's in the West wind, and daffodils.
I hold that in the flight of the soaring birds (the vultures, the eagles, and other birds which fly without flapping) ascension is produced by the skillful use of the force of the wind, and the steering, in any direction, is the result of skillful manoeuvres; so that by a moderate wind a man can, with an aeroplane, un- provided with any motor whatever, rise up into the air and direct himself at will, even against the wind itself.
Here in the deep powder snow you don't hear yourself ski. You don't hear your long turns or your short turns. You just float. The faster you go, the better. The less you struggle, the better. You move through the deep light snow, through the deep snow with some crust on it, through the deep snow with some wind in it.
The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.
I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!
We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death. Yet snow is but the mask of the life-giving rain; it, too, is the friend of man, the tender, sculpturesque, immaculate, warming, fertilizing snow.
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