A Quote by William Carlos Williams

A poem is a small machine made of words. . .Its movement is intrinsic, undulant, a physical more than a literary character. — © William Carlos Williams
A poem is a small machine made of words. . .Its movement is intrinsic, undulant, a physical more than a literary character.
There's nothing sentimental about a machine, and: A poem is a small (or large) machine made of words.
A poem is a small machine made of words.
A poem is a small machine made out of words.
I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
I love physical movement. Dance was my favorite thing, and I was a gymnast. I find that expression through movement is easier, in some ways, than expression through words.
It is largely because the free-thinkers, as a school, have hardly made up their minds whether they want to be more optimist or more pessimist than Christianity that their small but sincere movement has failed.
... regard this body as a machine which, having been made by the hand of God, is incomparably better ordered than any machine that can be devised by man, and contains in itself movements more wonderful than those in any machine. ... it is for all practical purposes impossible for a machine to have enough organs to make it act in all the contingencies of life in the way in which our reason makes us act.
In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.
When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them - without distortion which would mar their exact significances - into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn't what he says that counts as a work of art, it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.
These airplanes we have today are no more than a perfection of a toy made of paper children use to play with. My opinion is we should search for a completely different flying machine, based on other flying principles. I consider the aircraft of the future, that which will take off vertically, fly as usual and land vertically. This flying machine should have no parts in movement. The idea came from the huge power of the cyclons
Genres have a history and impose a historical character upon the writer. What is interesting in the poem involves a certain kind of dramatization of the self that you don't have to engage in in the essay. In fact, the essay is a more social medium than the poem.
A poem is really a kind of machine for producing the poetic state by means of words.
I did a film recently in the Republic of Georgia [upcoming 'Halo of Stars'] which was based on a long poem written by the director. We found that all these words were beautiful as a poem, but for humans it was more about the emotion or a look than just saying what was there.
The difference between 'lighght' and another type of poem with more words is that it doesn't have a reading process. Even a five-word poem has a beginning, middle, and end. A one-word poem doesn't. You can see it all at once. It's instant.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
The poem, in a sense, is no more or less than a little machine for remembering itself ... Poetry is therefore primarily a commemorative act.
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