A Quote by William Christopher Handy
In the South of long ago whenever a new man appeared for work in any of the laborers gangs, he would be asked if he could sing. If he could he got the job. The singing of these working men set the rhythm for the work.
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When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
A leveller has long ago been set down as a ridiculous and chimerical being, who, if he could finish his work to-day, would have to begin it again tomorrow.
I started singing in coffeehouses when I was still in high school, in Santa Barbara. I took a job washing dishes and busing tables in the coffeehouse, so I could be there, and would beg permission to sing harmony with the guy who was singing onstage. That was the first time I ever got on a stage in front of people.
The best job a man could have would be a chef. They'd understand the long hours I work and the drive and ambition it takes to succeed.
We could go work on curing cancer. We could go work on building spaceships. We could go work on art projects. What's fun about working at Asana is we get to work on all of them at the same time.
I always wanted to write when I was a kid; it just never occurred to me that you could have a job that didn't involve any actual work.... I felt it would be fun to have a job like that where you could make stuff up and be irresponsible and get paid for it.
The aim of the laborer should be, not to get his living, to get "a good job," but to perform well a certain work; and, even in a pecuniary sense, it would be economy for a town to pay its laborers so well that they would not feel that they were working for low ends, as for a livelihood merely, but for scientific, or even moral ends. Do not hire a man who does your work for money, but him who does it for love of it.
I was offered a job at the Cincinnati Post as their editorial cartoonist in a trial six month arrangement. The agreement was that they could fire me or I could quit with no questions asked if things didn't work out during the first few months. Sure enough, things didn't work out, and they fired me, no questions asked.
I think the regime in North Korea is more fragile than people think. The country's economic system remains desperate, and one thing that could happen for example would be under a new government in South Korea, to get the South Korean government to live up to its own constitution, which says any Korean who makes it to South Korea, is a Korean citizen. A citizen of the Republic of Korea. And you could imagine the impact that would have inside North Korea if people thought, "If I could get out and make it to South Korea, I could have a different life."
I was working at the 'Evening Standard' when I heard that there was a job going as deputy literary editor on the 'New Statesman.' I remember thinking, 'That's perfect.' It was three days a week, and I had children, but I could make that work - so I applied for it and got it.
I don't think there's any single finished point for a work. It's done when something's happening with the work that feels like a balanced, coherent disharmony. That's one way to say it. And where if I keep working on it, to discover and struggle with new problems, I'll obliterate the ones I was working on. I could keep working on it, but it'd become something different. And I value what's here, at the moment.
I was in a music class when I was little, and they discovered I had a talent and could sing. From there, I joined this singing troupe in California, and I would just go sing at festivals in this girl group and perform as much as I could.
It was only in South Africa that I got over this shyness, though I never completely overcame it. It was impossible for me to speak impromptu. I hesitated whenever I had to face strange audiences and avoided making a speech whenever I could. Even today I do not think I could or would even be inclined to keep a meeting of friends engaged in idle talk.
As long as the "woman's work" that some men do is socially devalued, as long as it is defined as woman's work, as long as it's tacked onto a "regular" work day, men who share it are likely to develop the same jagged mouth and frazzled hair as the coffee-mug mom. The image of the new man is like the image of the supermom: it obscures the strain.
Many years ago I had two small children, and I wanted to be able to be home when they got home from school. And I didn't like the direction journalism was taking. I thought if I could write books, I could work at home and have the best of both worlds. I wrote my first mystery while still working full time, and it didn't sell, but the next one did sell, so I quit my job for the world of fiction. Scary, but I've never regretted it for a single day.
First, you've got to get the job. "Yeah, I can do it," I would say. When I was a kid, I could do anything. Lucky nobody ever asked me if I could fly a jet plane.
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