A Quote by William Christopher Handy
If my serenade of song and story should serve as a pillow for some composer's head, as yet perhaps unborn, to dream and build on our fond melodies in his tomorrow, I have not labored in vain.
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Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
For my part, I believe that the vain, glorious and the violent will not inherit the earth. . . . In pursuance of that faith my friends and I take the hands of the dying in our hands. And some of us travel to the Pentagon, and others live in the Bowery and serve there, and others speak unpopularly and plainly of the fate of the unborn and of convicted criminals. It is all one.
At the end of the day, I am singing the composer's creation, and I follow the instructions given to me. What I feel may be a right take may not work for the composer or his vision on how he thinks the song should sound.
His kingdom come!" For this we pray in vain,
Unless He does in our affections reign.
How fond it were to wish for such a King,
And no obedience to his sceptre bring,
Whose yoke is easy, and His burthen light;
His service freedom, and His judgments right.
I compose melodies in my head and then interpret them musically with my guitar and keep them recorded. The guitar helps me to build unique chord structures on simple melodies.
I love countermelodies, I love hooks and melodies that stick in your head. If I could put 20 melodies in a song and they would all work together, I would.
The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.
I build an entire fort out of pillows. I need at least four pillows. I need on each side, I need one normal usage pillow for the back of my head, and I need another pillow just in case.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
I hope that we have not labored in vain, and that our experiment will still prove that men can be governed by reason.
Avicii's melodies were so simple and cool, and they were actually similar to the melodies I played on piano. I thought if I could teach myself how to produce and get those melodies out of my head and into the computer, maybe I could make some cool music, too.
Perhaps within the next hundred years, science will perfect a process of thought transference from composer to listener. The composer will sit alone on the concert stage and merely 'think' his idealized conception of his music. Instead of recordings of actual music sound, recordings will carry the brainwaves of the composer directly to the mind of the listener.
Sometimes,' he whispered at last, 'sometimes, I dream I am singing, and I wake from it with my throat aching.' He couldn't see her face, or the tears that prickled at the corners of her eyes. 'What do you sing?' she whispered back. She heard the shush of the linen pillow as he shook his head. 'No song I've ever heard, or know,' he said softly. 'But I know I'm singing it for you.
If in the twilight of memory we should meet once more,we shall speak again together and you shall sing to me a deeper song. And if our hands should meet in another dream we shall build another tower in the sky.
If a dream can tell the future it can also thwart that future. For God will not permit that we shall know what is to come. He is bound to no one that the world unfold just so upon its course and those who by some sorcery or by some dream might come to pierce the veil that lies so darkly over all that is before them may serve by just that vision to cause that God should wrench the world from its heading and set it upon another course altogether and then where stands the sorcerer? Where the dreamer and his dream?
Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.
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