A Quote by William Christopher Handy

With a guitar I would be able to express the things I felt in sounds. — © William Christopher Handy
With a guitar I would be able to express the things I felt in sounds.
My chosen instrument is guitar and, fortunately, I'm able to muddle through that. I can play guitar to the point where I can express myself artistically.
I'd been listening to African-American music since the first record I ever bought, which was by Sam Cooke. And it sounds more like my private thoughts that I never thought I would be able to articulate - I never thought I would be able to express publicly.
Obviously, a bass sounds like a bass and a guitar sounds like a guitar, but the way you play the guitar reflects your personality.
It became a bit of a challenge to make an album that is essentially quite alternative sounding, and has a lot of sounds that could be guitar - for instance on "Overjoyed," there's what sounds like guitar but is actually a lot of keys.
When I got into music, I wanted to learn guitar just enough to be able to write songs. I wanted to be able to express myself.
What I couldn't say verbally I was able to express physically through the guitar.
Macintosh felt like a system. As I learned more, I felt like I was able to guess how new things would work. I felt like the bugs in my programs were more my bugs and not things I misunderstood.
The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.
I just try really hard to be me, and sometimes that means I'm unfiltered. I try to give people myself because I think making a great product is being in touch with how you feel about things and being able to express things. I really hope I can stay in touch with how I feel about things and I'm able to express that.
I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.
I put together the idea for G3 because I felt isolated. The success of being a 'guitar hero' kept me away from all my friends who were guitar players. I thought it would be a lot more fun to play with them.
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
I grew up with rock and pop music from the 70s and 80s. I had to play guitar in school - it was a music college and we had to take instrument classes there - so I think guitar playing and guitar sounds have always been an influence.
The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.
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