A Quote by William Clay Ford, Jr.

I think I was the first executive to ever speak at a Greenpeace business conference, in London in 2001. That didn't play well here at Ford, but I thought it was an important signal to send internally, that these were the kind of issues we needed to be grappling with.
There will be relatively little in common with XFL 2001. I'll be the first to admit that the quality of the play in 2001 was not where it needed to be.
When I arrived in Ford, a decision was made to sell many marquee brands. This was because 85 per cent of the sales were from Ford and Lincoln brands. We were clear that for the company's strong future, we needed to focus on the Ford brands.
I think that the important thing to know is, which is great about this country [the USA], when it comes to domestic issues, we all battle it out and fight it between the parties and all those kind of things to get things done, but when it comes to foreign issues, overseas kind of things, then we all speak with one voice.
When I see a movie, the music often gets in the way for me. It's something that, say, for myself and Claire, we never, ever speak about. We never speak about describing emotion. I think it's about color and movement. And I think it's important to let the images be the melody, as well, a lot of the time - to create a kind of a backing for that, to let it sing.
Is there a reason there's not a tampon dispenser in the West Wing basement?" And it was like, "No." Nobody had really just ever thought about putting it there. It's an important story to tell because, well, it was important to do because we needed them, but I think that it's more, like, you should always ask questions.
Well, clearly, for me in the immediate future, it is grappling, like so many other governors are grappling, with the economic woes of these states. We were all hoping to see some federal relief.
I thought I needed to go to one of the top five schools in the nation and never even thought 'What's important to me?' Instead of figuring out what was important, which was obviously being near home, I kind of just went with what everyone thought I should do.
People have got to make their best calls in what they think about a case when they're covering it. But I do think the lesson there, and I guess stating the obvious, that oral argument can as often send a false signal as an accurate signal about where the thing is going.
It was such an amazing experience to be able to spend nine days on a boat with these Greenpeace people. Some of them were scientists and some were crew members working on the ship. Just to hear their stories, like what drew them to Greenpeace in the first place and what they've been through. Every single second of the day they work to save the planet, which makes me as an actor feel quite insignificant.
Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
America does not hold to the colonial tradition. America came, liberated Afghanistan from the Taliban and al-Qaida, came to an arrangement with Hamid Karzai, wanted to organize elections as soon as possible and then withdraw. The Bush administration thought that once there is a democracy, everything else will fall into place. If today you speak to the architects of the 2001 Afghanistan Conference in Bonn, they will tell you that instead of being fixated on elections, we should have built a State in Afghanistan with an army and a police force first.
And so popular culture raises issues that are very important, actually, in the country I think. You get issues of the First Amendment rights and issues of drug use, issues of AIDS, and things like that all arise naturally out of pop culture.
I used to think you needed a passport to go south of Watford. But when I came to London the people were fantastic, so good, right down to earth, my kind of people.
The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it.
Humans have changed little over time. We think we've invented the modern world but they were making better speeches 2,000 years ago and grappling with issues of empire and terrorism.
I convened the first-ever national training conference for prosecutors on how to promote and deal with hate crime issues in terms of prosecutions and also protocol for defeating the gay panic defense.
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