A Quote by William Cowper
There is a pleasure in poetic pains / Which only poets know.
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In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
Whether they are actual poets or their music exemplifies a poetic sensibility, generally speaking, the Americana artist shuns commercial compromise in favor of a singular vision. Which resonates with me.
The fable runs that the gods mix our pains and pleasure in one cup, and thus mingle for us the adulterate immortality which we alone are permitted here to enjoy. Voluptuous raptures, could we prolong these at pleasure, would dissipate and dissolve us. A sip is the most that mortals are permitted from any goblet of delight.
The poets are wrong of course […] But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.
I don't know if younger poets read a lot of, you know, the poets - the established poets. There was a lot of pretty boring stuff to sort of put up with and to add to, to make something vital from.
The honest Man takes Pains, and then enjoys Pleasures; the knave takes Pleasure, and then suffers Pains.
All that lives is striving for happiness; yet a thousand and one pains and fears attend upon every pleasure which man seeks through the ignorance of exclusiveness.
There is noting truly valuable which can be purchased without pains and labor. The gods have set a price upon every real and noble pleasure.
The poet's other readers are the ancient poets, who look upon the freshly written pages from an incorruptible distance. Their poetic forms are permanent, and it is difficult to create new forms which can approach them.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
I agree with you that it is important to examine our presuppositions, throughly and once for all, in order to establish something solid. For I hold that it is only when we can prove all that we bring forward that we perfectly understand the thing under consideration. I know that the common herd takes little pleasure in these researches, but I know also that the common herd take little pains thoroughly to understand things.
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
The poetic myths are dead; and the poetic image, which is the myth of the individual, reigns in their stead.
The only justifiable stopping place for for the expansion of altruism is the point at which all whose welfare can be affected by our actions are included within the circle of altruism. This means that all beings with the capacity to feel pleasure or pain should be included; we can improve their welfare by increasing their pleasures and diminishing their pains.
I fear this is not the right exchange to attain virtue, to exchange pleasures for pleasures, pains for pains and fears for fears, the greater for the less like coins, but that the only valid currency for which all these things should be exchanged is wisdom.
Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
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