A Quote by William Cowper

Transforms old print To zigzag manuscript, and cheats the eyes Of gallery critics by a thousand arts. — © William Cowper
Transforms old print To zigzag manuscript, and cheats the eyes Of gallery critics by a thousand arts.
If Ansel Adams gets a thousand dollars a print, I want ten thousand.
I have an office in my house, with a comfy red print reading chair and a soft cream-colored desk. After I walk Winston the Wonder dog and have my breakfast, I head to my office. Every single day. Sometimes, when I'm working on revisions, I print off my manuscript and go to a coffee shop to work. But mostly you can find me in my office.
Can a man who lies, cheats, steals, and sometimes does violence to other people be a man of honor? Kolabati looked into his eyes. "He can if he lies to liars, cheats cheaters, steals from thieves, and limits his violence to those who are violent.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
Souness critics must eat humble pie as he transforms Newcastle.
I did martial arts since I was 10 years old, and I've got as much love for the movies as I have for martial arts, so when I was 18 years old, I started studying performing arts with the eye of getting into the film industry and went to drama school after that.
When you print out your manuscript and read it, marking up with a pen, it sometimes feels like a criminal returning to the scene of a crime.
'The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
Very long ago our ancestors had moral systems. Our current institutions are only a couple of thousand years old, which is really not old in the eyes of a biologist.
He that cheats another is a knave; but he that cheats himself is a fool.
He who cheats others is a knave, but he who cheats himself is a fool.
My education in the arts began at the Cleveland Museum of Art. As a Cleveland child, I visited the museum's halls and corridors, gallery spaces and shows, over and over. For me, the Cleveland Museum was a school of my very own - the place where my eyes opened, my tastes developed, my ideas about beauty and creativity grew.
The Rift, which was well over a thousand pages of manuscript, took two years.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
The night has a thousand eyes, And the day but one; Yet the light of the bright world dies, With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies, When love is done.
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