A Quote by William Cowper
Could he with reason murmur at his case, Himself sole author of his own disgrace?
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Man is the sole animal whose nudities offend his own companions, and the only one who, in his natural actions, withdraws and hides himself from his own kind.
If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.
The feeling of patriotism - It is an immoral feeling because, instead of confessing himself a son of God . . . or even a free man guided by his own reason, each man under the influence of patriotism confesses himself the son of his fatherland and the slave of his government, and commits actions contrary to his reason and conscience.
The Plagiarism of orators is the art, or an ingenious and easy mode, which some adroitly employ to change, or disguise, all sorts of speeches of their own composition, or that of other authors, for their pleasure, or their utility; in such a manner that it becomes impossible even for the author himself to recognise his own work, his own genius, and his own style, so skilfully shall the whole be disguised.
He that discovers himself, till he hath made himself master of his desires, lays himself open to his own ruin, and makes himself prisoner to his own tongue.
In 'Maheshinte...' fight is the central aspect of the story - a man who is assaulted physically in front of his own townsfolk and how he fails miserably. Humiliated, fighting back his honor becomes the sole reason behind his existence.
Let no one imagine that he will lose anything of human dignity by this voluntary sell-out of his all to his God. He does not by this degrade himself as a man; rather he finds his right place of high honor as one made in the image of his Creator. His deep disgrace lay in his moral derangement, his unnatural usurpation of the place of God. His honor will be proved by restoring again that stolen throne. In exalting God over all, he finds his own highest honor upheld.
Whoever is wise is apt to suspect and be diffident of himself, and upon that account is willing to "hearken unto counsel"; whereas the foolish man, being in proportion to his folly full of himself, and swallowed up in conceit, will seldom take any counsel but his own, and for that very reason, because it is his own.
The author can always delve into his own personality and find aspects of himself with which he can dress his characters.
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
The sensible author writes for no other posterity than his own--that is, for his age--so as to be able even then to take pleasurein himself.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
I have seen books made of things neither studied nor ever understood ... the author contenting himself for his own part, to have cast the plot and projected the design of it, and by his industry to have bound up the fagot of unknown provisions; at least the ink and paper his own. This may be said to be a buying or borrowing, and not a making or compiling of a book.
At that instant he knew that all his doubts, even the impossibility of believing with his reason, of which he was aware in himself, did not in the least hinder his turning to God. All of that now floated out of his soul like dust. To whom was he to turn if not to Him in whose hands he felt himself, his soul, and his love?
He who indulges his sense in any excesses renders himself obnoxious to his own reason; and, to gratify the brute in him, displeases the man, and sets his two natures at variance.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
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