A Quote by William Crookes

If you had come to me a hundred years ago, do you think I should have dreamed of the telephone? Why, even now I cannot understand it! I use it every day, I transact half my correspondence by means of it, but I don’t understand it. Thnk of that little stretched disk of iron at the end of a wire repeating in your ear not only sounds, but words-not only words, but all the most delicate and elusive inflections and nuances of tone which separate one human voice from another! Is not that something of a miracle?
Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember...I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
Write every day. Don't kill yourself. I think a lot of people think, 'I have to write a chapter a day' and they can't. They fall behind and stop doing it. But if you just write even one hundred words a day, it's not that much. By the end of a month, you'll have three thousand words, which is one chapter.
I find that by putting things in writing I can understand them and see them a little more objectively. ... For words are merely tools and if you use the right ones you can actually put even your life in order, if you don't lie to yourself and use the wrong words.
I can understand that there are those who can think and imagine the world without words, but I think that once you find the words that name your experience, then suddenly that experience becomes grounded, and you can use it and you can try to understand it.
I want you to understand the words. I want you taste the words. I want you to love the words. Because the words are important. But they're only words. You leave them on the paper and you take the thoughts and put them into your mind and then you as an actor recreate them, as if the thoughts had suddenly occurred to you.
Between two beings there is always the barrier of words. Man has so many ears and speaks so many languages. Should it nevertheless be possible to understand one another? Is real communication possible if word and language betray us every time? Shall, in the end, only the language of tanks and guns prevail and not human reason and understanding?
I understand why we do that now. It’s a help, not a threat. It’s something to remind you how important words are. Ideas are important. Principles are important. Words are important. Your word is the most important of all. Your word is who you are.
And I'm a slow writer: five, six hundred words is a good day. That's the reason it took me 20 years to write those million and a half words of the Civil War.
Two years ago, I was saying as I planted seeds in the garden, "I must believe in these seeds, that they fall into the earth and grow into flowers and radishes and beans." It is a miracle to me because I do not understand it. The very fact that they use glib technical phrases does not make it any less a miracle, and a miracle we all accept. Then why not accept God's miracles?
It's strange. There's your life. You begin it, feeling that it's something so precious and rare, so beautiful that it's like a sacred treasure. Now it's over, and it doesn't make any difference to anyone, and it isn't that they are indifferent, it's just that they don't know, they don't know what it means, that treasure of mine, and there's something about it that they should understand. I don't understand it myself, but there's something that should be understood by all of us. Only what is it? What?
I'm very concerned with questions of language. This is what I think of when I think of myself as a writer: I'm someone who writes sentences and paragraphs. I think of the sentence - not only what it shares but, in a sense, what it looks like. I like to match words not only in a way that convey a meaning, possibly an indirect meaning, but even at times words that have a kind of visual correspondence.
People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolour left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response.
A famous violinist once said. Music transcends words. By exchanging notes, you get to know one another, to understand one another. As if your souls were connected and your hearts were overlapping. It's a conversation through instruments. A miracle that creates harmony. In that moment, music transcends words.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
To me, words are like stickpins. I can throw a word at you and it will bounce right off your body. But if I take that little stickpin and wire it to the back of an iron bar called human emotion, I can put that thing right through your heart.
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