A Quote by William Deresiewicz
Posting information is like pornography, a slick, impersonal exhibition.
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Impersonal criticism?is like an impersonal fist fight or an impersonal marriage, and as successful.
I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.
If one or two works from a body of work for an exhibition are what you would like to be remembered by, it is a good exhibition.
The plague of pornography is swirling about us as never before. Pornography brings a vicious wake of immorality, broken homes, and broken lives. Pornography will sap spiritual strength to endure. Pornography is much like quicksand. You can become so easily trapped and overcome as soon as you step into it that you do not realize the severe danger. Most likely you will need assistance to get out of the quicksand of pornography. But how much better it is never to step into it. I plead with you to be careful and cautious.
I am saddened by the release by a national media outlet of my opponent's involvement in pornography. I strongly condemn the release of this information. Our campaign was aware of this information several months ago, and made a very determined decision to not use or disperse this information in any way, shape,or form.
I'm so immersed in my little world that I don't often sit back and pay attention to what's going on around me. It truly stuns me when people recognize me. Obviously, I'm not a film star, but even at a design exhibition or art exhibition, if someone comes up to me, I'm sort of taken aback. I don't think of myself like that. But if I can have an effect on young designers, that's great - particularly young designers coming from Australia. Europeans grew up with design. The rest of us lived on tidbits of information.
Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.
I don't think I would ever write a book with what anybody could call pornography in it, because I feel that pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing. Sex is primarily a question of relationships. Pornography is a do-it-yourself kit--a twenty-second best.
I'll defend child pornography, how about that? What's wrong with seeing some child pornography? What if you watch child pornography because you find it hilarious? Then should it not a protected freedom of speech?
For example, I'm a great fan of pornography, but I don't see any reason not to restrict it so that people walking down the street who hate pornography don't have full color pictures outside of movie theaters. Let them be in a different district. I'm kidding about pornography, but you get the point.
I heard a statistic, and this one blew my mind, that 1 out of every 4 men in the church are involved in pornography. And yet, when was the last time you heard a pastor talk about pornography? ... Talk to people in law enforcement, and they will tell you that the great majority of sexual assaults were perpetrated by people that were looking at pornography and they wanted to make a reality what they were seeing in the pornography.
I don't know what the definition of pornography is and nobody else does either. Pornography is somebody else's erotica that you don't like. People are interested in their own sexuality and they've always reflected it in their art. End of story.
An exhibition is in many ways a series of conversations. Between the artist and viewer, curator and viewer, and between the works of art themselves. It clicks when an exhibition feels like it has answered some questions, and raised even more.
I'm involved with this exhibition, which is a collection of Nobby Clarke's photos of the opening night of my own art exhibition.
The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion.
It's two things: it's totally impersonal and it's totally personal, simultaneously. That's the nature of the mystical experience of life. Everything about life is impersonal, but you have a personal experience. And the bridge between the personal and the impersonal is called prayer.
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