A Quote by William Eggleston

You want to make the photograph work in every way possible. Doesn't matter where it is in the world. — © William Eggleston
You want to make the photograph work in every way possible. Doesn't matter where it is in the world.
Entrepreneurship, to me, means that you're a psychopath. The world doesn't work in the way you want it to, and you have a vision for how it should work. Unlike everyone else, this isn't OK with you. You have to go out, against every possible odd, and do something about it. That's what makes you crazy.
So it is not a matter of whether it is possible to attain Buddhahood, or if it is possible to make a tile a jewel. But just to work, just to live in this world with this understanding is the most important point, and that is our practice. That is true zazen.
The minute you start saying something, 'Ah, how beautiful! We must photograph it!' you are already close to view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness.
No matter how much you make the world a part of your life through social media, it's never enough. They all want more, and I truly understand why. It's their never-ending love for me that wants to know every detail of my life possible.
Play hard, work hard, love hard. . . .The bottom line for me is to live life to the fullest in the here-and-now instead of a hoped-for hereafter, and make every day count in some meaningful way and do something-no matter how small it is-to make the world a better place.
I just want kids to know that, no matter what your circumstance is and no matter where you're from, you can always make a way. There's always a way out of or a way in to do something - that thing that you want to do.
Even if leftists were able to get control of every institution they want to destroy, what they want is not possible. The circumstances for life on this planet that they want are not possible to achieve. The closest they can get to it is communism and tyranny where they have to force everybody to live the way they want.
My mentality is like a samurai they used to train every day, work on their technique to make themselves better, almost perfect, perfection is impossible but every day you get closer and that's what I want . Every day I want to get better than I was the day before. I want to use every second of my life, every time I have in my life to make me a better fighter. It's more than a job it's a way of living.
I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
If you made a movie that no man in the world went near, but every woman in the world went to, you'd have the highest grossing movie of all time. You'd make trillions of dollars. But I don't want to make movies that are just for the ladies. I don't want to ghettoize any audience that way.
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
My wife and son are my world and being there for them in every way possible is the only thing that matters to me... that and my work.
No one can really explain in a rational way what makes a good photograph or a bad photograph... This is why the art world will not throw billions of dollars at photography the way it has at painting; and that is what makes it an exciting medium.
I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.
I want to wake up with you every morning and fall asleep beside you each night,” Patch told me gravely. “I want to take care of you, cherish you, and love you in a way no other man ever could. I want to spoil you — every kiss, every touch, every thought, they all belong to you. I’ll make you happy. Every day, I’ll make you happy.
I want to make history at Real Madrid. I want to make my mark, and I want to win every possible title.
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