A Quote by William Faulkner

The scattered tea goes with the leaves and every day a sunset dies. — © William Faulkner
The scattered tea goes with the leaves and every day a sunset dies.
He who goes to bed, and goes to bed sober, Falls as the leaves do, and dies in October; But he who goes to bed, and goes to bed mellow, Lives as he ought to do, and dies an honest fellow.
All mankind is one volume. When one man dies, a chapter is not torn out of the book, but translated into a better language. And every chapter must be translated. God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice. But God's hand shall bind up all our scattered leaves again for that library where every book shall live open to one another
October is the month for painted leaves. Their rich glow now flashes round the world. As fruits and leaves and the day itself acquire a bright tint just before they fall, so the year near its setting. October is its sunset sky; November the later twilight.
Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, every once in a very long while, every day in a million days, when the wind stands fair and the Doctor comes to call, everybody lives.
I cannot for the life of me understand what the Minister Of Transport does every day. He goes to the office at 9am and leaves at 5pm and the traffic in London is still horrendous.
Men in their generations are like the leaves of the trees. The wind blows and one year's leaves are scattered on the ground; but the trees burst into bud and put on fresh ones when the spring comes round.
We wanderers, ever seeking the lonelier way, begin no day where we have ended another, and no sunrise finds us where left by sunset. Even while the earth sleeps we travel. We are the seeds of that tenacious plant, and it is in our ripeness and our fullness of heart that we are given to the wind to be scattered.
But who does not see that the work goes beyond the one who created it? It marches before him and he will never again be able to catch up with it, it soon leaves his orbit, it will soon belong to another, since he, more quickly than his work, changes and becomes deformed, since before his work dies, he dies.
Death is for a long time. Those of shallow thought say that it is forever. There is, at least, a long night of it. There is the forgetfulness and the loss of identity. The spirit, even as the body, is unstrung and burst and scattered. One goes down to death, and it leaves a mark on one forever.
The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.
A man goes to a barbershop and asks, How many ahead of me? Five. The man leaves. He comes back the next day and asks, How many ahead of me? Four. The man leaves. He comes back the next day and asks, How many ahead of me? Six. The man leaves, and the barber says to another, Follow that man! The man comes back and says, He goes to your house!
If I was making a tea advert, I would want to communicate about tea is that it can console you, it can start your day, there is the warmth and the ritual, and you can share it; you make someone a cup of tea and you offer it to them.
In a sense the world dies every time a writer dies, because, if he is any good, he has been a wet nurse to humanity during his entire existence and has held earth close around him, like the little obstetrical toad that goes about with a cluster of eggs attached to his legs.
But you know what they say about Gutshot: the population never goes up and never goes down, because every time a woman gets pregnant, a man leaves town.
Every time an idiot dies, your IQ goes down.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
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