A Quote by William Faulkner
Hemingway shot himself. I don't like a man that takes the short way home.
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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
Hemingway's short story 'Hills Like White Elephants' is a classic of its kind. It illustrates Hemingway's 'iceberg theory,' which requires that a story find its effectiveness by hiding more than it reveals.
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
Sometimes a man imagines that he will lose himself if he gives himself, and keep himself if he hides himself. But the contrary takes place with terrible exactitude.
Style is less the man than the way a man takes himself.
Hemingway himself and Hemingway's writing were both brilliant, brilliant cocktails.
London is like the grave in one respect -- any man can make himself at home there; and whenever a man finds himself homeless elsewhere, he had better either die or go to London.
I read some older books when I worked at Barnes And Noble, like some of the American classics. I read a lot of Hemingway. I fell in love with Hemingway's prose and with the way he wrote. I feel like he's talking to me, like we're in a bar and he's not trying to jazz it up and sound smart, he's just being him.
It appears to Nietzsche that the modern age has produced for imitation three types of man ... First, Rousseau's man, the Titan who raises himself ... and in his need calls upon holy nature. Then Goethe's man ... a spectator of the world ... Third Schopenhauer's man ... voluntarily takes upon himself the pain of telling the truth.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
The shot will go smoothly only when it takes the archer himself by surprise.
God is what man finds that is divine in himself. It is the best way man can behave in the ordinary occasions of life, and the farthest point to which man can stretch himself.
My library is my kingdom, and here I try to make my rule absolute-shutting off this single nook from wife, daughter and society. Elsewhere I have only a verbal authority, and vague. Unhappy is the man, in my opinion, who has no spot at home where he can be at home to himself-to court himself and hide away.
The best man of all is he who knows everything himself. Good also the man who accepts another's sound advice; but the man who neither knows himself nor takes to hear what another says, he is no good at all.
A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires.
I don't want to be someone whose shot takes you out of the dramatic sequence or takes you out of the emotional story that you're trying to tell or says, 'Hey, look at this cool shot I have here.' To me, that's not right.
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