A Quote by William Faulkner
When I was little there was a picture in one of our books, a dark place into which a single weak ray of light came slanting upon two faces lifted out of the shadow.
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Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter light, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light.
Where there is light, there must be shadow, where there is shadow there must be light. There is no shadow without light and no light without shadow.... We do not know if the so-called Little People are good or evil. This is, in a sense, something that surpasses our understanding and our definitions. We have lived with them since long, long ago-- from a time before good and evil even existed, when people's minds were still benighted.
There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
We are the shadow of Sirius. There is the other side of - as we talk to each other, we see the light, and we see these faces, but we know that behind that, there's the other side, which we never know. And that - it's the dark, the unknown side that guides us, and that is part of our lives all the time. It's the mystery.
Ever since we crawled out of that primordial slime, that's been our unifying cry: "More light." Sunlight. Torchlight. Candlight. Neon. Incandescent. Lights that banish the darkness from our caves, to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlight for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor... Light is knowledge. Light is life. Light is light.
The history of the cosmos
is the history of the struggle of becoming.
When the dim flux of unformed life
struggled, convulsed back and forth upon itself,
and broke at last into light and dark
came into existence as light,
came into existence as cold shadow
then every atom of the cosmos trembled with delight.
Ray Harryhausen's 'Sinbad' picture was the first film I remember seeing. I was two years old when it came out, and it changed my life forever. I had nightmares about dragons and stuff for years - and loved it!
Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.
Shadow is ever besieged, for that is its nature. Whilst darkness devours, and light steals. And so one sees shadow ever retreat to hidden places, only to return in the wake of the war between dark and light.
The manner in which one single ray of light, one single precious hint, will clarify and energize the whole mental life of him who receives it, is among the most wonderful and heavenly of intellectual phenomena.
In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire.
Shadow is a colour as light is, but less brilliant; light and shadow are only the relation of two tones.
Christ cannot light a single spark in the heart of an individual, without that little tiny spark being for God. He gives the light, and has ordained that every ray of it is to reflect something for God.
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