A Quote by William Faulkner

I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as when he was set on staying still, like it aint the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn't act like he was proud of it, like he had made the river rise himself.
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done!
What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god.
It was like Percy had faced death before, like he knew about grief. What mattered was listening. You didn’t need to say you were sorry. The only thing that helped was moving on—moving forward.
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.
I ended up moving downtown with these three dudes that I didn't really know. I came into the house, and I didn't realize how things worked. From, like, 15-18, I was just fighting them. I fought, like, every day, and these were, like, older dudes. It was every man for himself.
If I'm just hanging with all stars and people with money, you can get lost and caught up. You get to moving like you got it made and you get to spending. That's how a lot of people go broke.
One day mom sat down and says, 'I'm moving my children to Queens. There was this quiet in the room and then everyone burst out laughing. Moving to Queens for us was like moving to Mars. It was like breaking out of poverty, the ultimate in luxury.
A stand-up act is almost like a pool. You know what I mean? It's like a pool, and you're always skimming little leaves out of it, messing with the chlorine level, putting up umbrellas. You're trying to make one little stagnant body of water perfect. Whereas a late-night show is like a river, always moving forward.
It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.
You must make a decision that you are going to move on. It wont happen automatically. You will have to rise up and say, ‘I don’t care how hard this is, I don’t care how disappointed I am, I’m not going to let this get the best of me. I’m moving on with my life.
One of the primary ways that astronomers study stars is to spread their light out into a rainbow, which we call a spectrum, and from that rainbow, we can learn something about what the stars are composed of and how hot they are, how bright they are, and how they're moving, at least how they're moving toward or away from us.
A lazy part of us is like a tumbleweed. It doesn’t move on its own. Sometimes it takes A lot of Depression to get tumbleweeds moving.
Sometimes it feels like energy or electricity when it is moving in and through us, but spiritual power is really a distinctive kind of knowledge that is like the key that opens the door or the switch that starts the energy moving.
I like the music. I don't like the business. I get very tired of the travel and moving, constantly moving. But the hour-and-a-half that I'm making music, I'm one of the happiest people on earth.
If you have to conduct layoffs, which is always a regrettable thing, there's kind of three things that are very important. One is to communicate well with your employees in order to help them understand why it is you're doing, and how. Second is to make sure that the employees who are part of the go forward, understand kind of what happened and are not like the ground doesn't keep moving. It's like, okay, we did that, we're moving forward, here we go. And then for the employees that you unfortunately have to let go, try to provide as much support for them as possible.
When I moved from Independiente to Atletico Madrid, I was only 18, and I found it hard to adapt. But what surprised me most about moving to England was how fast the game was. I like it, but it is so quick.
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