A Quote by William Fichtner

I like characters where there's something going on and something to make him real. If you find out what somebody cares about, all of a sudden, the whole world opens up. — © William Fichtner
I like characters where there's something going on and something to make him real. If you find out what somebody cares about, all of a sudden, the whole world opens up.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
Sometimes, when actors reach out to their characters, they're nowhere in sight. They need to find something inside of them. And then the characters are right there. As a director, I want them to find the character that's already inside them, instead of trying to manufacture or manipulate or make something up. That's not really honest or true.
The average American is just like the child in the family. You give him some responsibility and he is going to amount to something. He is going to do something. If, on the other hand, you make him completely dependent and pamper him and cater to him too much, you are going to make him soft, spoiled and eventually a very weak individual.
I want to make the most out of the word ‘fame.’ I want to do good things with my fame, or whatever it is. I want to help and do charity work. There’s something going on in Chile right now with the water, so I think I’m going to down there in a month to help out. My grandfather worked with charities his whole entire life, and we grew up living with him. He always told me about the other side of the world and everything that’s going on.
My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
People concentrate, particularly for their own purposes, on dividing people, and it's just not necessary. If you actually spend time with somebody, in 10 minutes, you'll find something in common, and it's powerful when you do. When you find you've got something in common with somebody, all of a sudden, you're friends.
There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
The main thing I learned is that the more I can forget about being embarrassed when I make something, the more it is going to mean something to somebody else. I can't anticipate what it's going to be or how it's going to be perceived, so the quicker I let go of something I make, the better.
Looking at him like that, I felt like I needed something from him, or somebody, and that probably meant that he also needed something from me, or somebody, but the revelation was like looking at spots on a slide. Knowing that it meant something to somebody wasn't the same as it meaning something to you.
There is a thing that happens when you are not as privileged and you start hanging out with a seedier crowd because you can afford to do the same things, And all of a sudden the big night out is sitting in somebody's trailer, smoking something or getting hold of something to put up to your nose.
There's something about coming up with something out of nothing. I work with somebody else's creation already, and I just try to make it better.
The web of this world is woven of Necessity and Chance. Woe to him who has accustomed himself from his youth up to find something necessary in what is capricious, and who would ascribe something like reason to Chance and make a religion of surrendering to it.
Great people do things before they're ready...You might find out something about yourself that's really special and if you're not good, who cares? You tried something.
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