A Quote by William Fichtner
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
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What would the world be like if people said whatever they were thinking, all the time, whenever it came to them? How long would a blind date last? About 13 seconds, I think. Oh, sorry, your rear end is too big. That's ok, your breath stinks anyway. See you later.
If the estimated age of the cosmos were shortened to seventy-two years, a human life would take about ten seconds. But look at time the other way. Each day is a minor eternity of over 86,000 seconds. During each second, the number of distinct molecular functions going on within the human body is comparable to the number of seconds in the estimated age of the cosmos. A few seconds are long enough for a revolutionary idea, a startling communication, a baby's conception, a wounding insult, a sudden death. Depending on how we think of them, our lives can be infinitely long or infinitely short.
Whenever you take a general meeting, inevitably you run out of things to talk about, they'd always say, 'What's your dream project?' I would always pull out 'Gerald's Game.' If they knew the book, they'd say, 'Well, that's unfilmable.' If they didn't know the book it would take about 30 seconds of my pitch to say, 'That's not a movie.'
Israel is doing what any other country would do, and certainly the U.S. would do. If 80 percent of your population were under fire and you had 60 seconds or 90 seconds to get into bomb shelters, if terror tunnels were dug underneath your border in order to come in and explode your kindergartens and massacre your people and kidnap American citizens.
Before the war, my parents were very proud people. They'd always talk about Japan and also about the samurai and things like that. Right after Pearl Harbor, they were just real quiet. They kept to themselves; they were afraid to talk about what could happen. I assume they knew that nothing good would come out of it.
I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
It's tricky because Instagram is not Grindr. I'm always trying to show my good side. I never complain. When I have a moment of sadness, I make sure no one ever sees. And while I'm so good at talking to friends or talking about my job, if you were to ask me to dinner - just the two of us, in a romantic way - I would be the worst. I'm so shy I would not talk.
I was going to talk about Nicholas Parsons' ignorance, but 18 seconds would be a wholly insufficient time.
In the US. Infantry Manual published during World War II, the soldier was told what to do if a live grenade fell into the trench where he and others were sitting: to wrap himself around the grenade so as to at least save the others. (If no one "volunteered," all would be killed, and there were only a few seconds to decide who would be the hero.)
The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.
We'd get into trouble a lot in school, and I could sweet talk my way out of it. I was really a charmer: I was the guy who would get to the office, the principal would sit me down, and within 10 minutes, we'd be, like, talking about some movies or something.
If the Sun exploded, we wouldn't know about it for 8 minutes and 20 seconds. Light and gravity take that long to reach us. Then we would vaporize.
I would be in class, and we'd talk about influencers and brand deals, and my face would pop up on the screen and they'd start talking about me! They had no idea that I was sitting in the class. I never wanted anyone to know.
Is It Unloving to Speak of Hell? If you were giving some friends directions to Denver and you knew that one road led there but a second road ended at a sharp cliff around a blind corner, would you talk only about the safe road? No. You would tell them about both, especially if you knew that the road to destruction was wider and more traveled. In fact, it would be terribly unloving not to warn them about that other road.
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