A Quote by William Fichtner
What I truly get excited about is not the genre of a movie or the size of a part - it's character. I like to find characters.
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For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.
One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.
My feeling is that I don't really care about the genre or the size of the movie. I care about the quality of the writing and the quality of the characters.
What gets us excited about any movie is the social relevance and the character themes and the character journeys and like the adventure story.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
I'd love to do a Paul Greengrass movie, or something like that, that's a character-driven action film. I'd like someone to make me go to the gym every day, and all that stuff. I don't know. Wherever the good characters are, I tend to try to get a job. It was nice because this was dipping my toe in the action genre. Maybe I might put my foot in, next time.
I always feel like you can take a genre that has a familiar structure to it and then reinvent it as a character piece. Suddenly, what's old is new again. With 'Fargo,' I adapted a movie without any of the characters or the story. Yet somehow it feels like 'Fargo.'
The great thing about television is that you get to tell, like with "The Walking Dead", 16 hours worth of character-driven storytelling in less time than it takes to make a feature film. So, it really is a medium at least for storytellers who are passionate about not only the genre but also the character-driven genre stories. It's probably a better medium.
When I first came to California, it was fun and exciting to get any part in any movie and get paid for it. Because of my size and my background, it seemed like I was right for just about anything.
My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
It's not hard to read about death abstractly. I do find it tough when a character I love dies, of course. You can truly miss characters. Not like you miss people, but you can still miss them.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
People tell me I'm in a genre kind of movie, but it never crossed my mind that The Matrix was genre. To me it was about, for me anyway, my character, I had this rock outside my door which said "faith" or "believe" or something, and I remember felt like that was my key into her, into Trinity. It was like she was the heart of it.
I think the universal themes of "American Pie" are what make it attractive to everybody. How to people relate to these characters? It's because these five male characters in this movie wouldn't ordinarily be in the same friend group and they each have their own part to play in the whole thing. There's a character for everybody in this movie that they can relate to... that they either were or knew someone that was. To cover the range like that is pretty unique to our franchise.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
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