A Quote by William Fitzsimmons

If it is a good song, it is a good song. The Beatles were pop, the beach boys were pop and it's the best music of all time. — © William Fitzsimmons
If it is a good song, it is a good song. The Beatles were pop, the beach boys were pop and it's the best music of all time.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. "Cars" is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. 'Cars' is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.
I love pop music. It's not easy to write a good pop song.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
The Beatles and Ray Charles were in the same charts together, and that was just called pop music - it wasn't called soul or rock. The best pop music just stands out as something that's just original, and I think it should all be called pop again.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.
I was raised really strongly on The Beatles; they were huge in my family, my parents loved them, and they used to quiz me on who was singing which song, and we'd play certain records for certain events, and things like that. So I mean, they were sort of my introduction to pop music.
There was a time when pop music and rock music were really reaching for the stars and were not ashamed to be experimental. You think of a song like 'Shout' by Tears for Fears. That's a massive global No. 1 hit, and yet the subject matter is very dark.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.
When pop and rock were taking over from jazz, and Sinatra was covering a Beatles song, it was all very new. I get to come at it from a different direction.
I'm not the best at choosing what's good and what's bad. I wouldn't even know what's a good pop song and what's a bad one. With that said, I wanted to say what's true to me. Some people might say that the Skrillex record was pop, but that was just about the chemistry between me and my boy.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.
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