A Quote by William Forsythe

I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam. At least it sounds that way to me.
I love what I do. And in the true sense, from my training, I try to create a character each time. It is something I do. But I don't want that term to limit what I can do. I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam.
Some actors are better with words than me. I prefer to play it rather than say it - and keep people thinking.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
The balance when you're catching people up, and the craft of what we do as actors, is to try to make sure that the exposition sounds like thought and dialogue, and a plan or a problem or something that is motivationally induced, rather than just telling the audience information.
Because of the way we let the actors improvise, it feels like you're watching people react rather than actors reading lines - so I think that's always going to be something I like.
My favorite review described me as the cinematic equivalent of junk mail. I don't know what that means, but it sounds like a dig.
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a precise mark with me. Instead of giving marks to the actors I like to give marks to the camera.
People very often say to actors that they admire their careers, and I rather think that what's implied by that is that we have a choice in the matter. When really, most actors, me included, do whatever comes along next.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
When I was a kid, I would always write down lists of my favorite things and keep them in my wallet, just in case someone ever needed to know what my 10 favorite foods were, or my 10 favorite actors.
My favorite actors are people who I don't know anything about, and I can project any character onto them.
A lot of people at the highest level, I never listened to. It was hard for me to listen to a whole lot of stuff. It didn't get there for me. Al Green, who's maybe my favorite male singer - to me, Al Green sounds like a saxophone player.
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