A Quote by William Francis Henry King
Indeed a good quotation hardly ever comes amiss. It is a pleasing break in the thread of a speech or writing, allowing the speaker or writer to retire for an instant while another and greater makes himself heard. And this calling-up of the deathless dead implies also a community of mind with them, which the reader will not grudge the author lest he should seem to deny it to himself.
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The good writer seems to be writing about himself, but has his eye always on that thread of the Universe which runs through himself and all things.
The universe is deathless; Is deathless because, having no finite self, it stays infinite. A sound man by not advancing himself stays the further ahead of himself, By not confining himself to himself sustains himself outside himself: By never being an end in himself he endlessly becomes himself.
Prayer indeed is good, but while calling on the gods a man should himself lend a hand.
Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
The great advantages of simulation and dissimulation are three. First to lay asleep opposition and to surprise. For where a man's intentions are published, it is an alarum to call up all that are against them. The second is to reserve a man's self a fair retreat: for if a man engage himself, by a manifest declaration, he must go through, or take a fall. The third is, the better to discover the mind of another. For to him that opens himself, men will hardly show themselves adverse; but will fair let him go on, and turn their freedom of speech to freedom of thought.
Our enemies ... seem always with us. The greater our hatred the more persistent the memory of them so that a truly terrible enemy becomes deathless. So that the man who has done you great injury or injustice makes himself a guest in your house forever. Perhaps only forgiveness can dislodge him.
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
All who say the same things do not possess them in the same manner; and hence the incomparable author of the Art of Conversation pauses with so much care to make it understood that we must not judge of the capacity of a man by the excellence of a happy remark that we heard him make. Let us penetrate, says he, the mind from which it proceeds. It will oftenest be seen that he will be made to disavow it on the spot, and will be drawn very far from this better thought in which he does not believe, to plunge himself into another, quite base and ridiculous.
Quotation... A writer expresses himself in words that have been used before because they give his meaning better than he can give it himself, or because they are beautiful or witty, or because he expects them to touch a cord of association in his reader, or because he wishes to show that he is learned and well read. Quotations due to the last motive are invariably ill-advised; the discerning reader detects it and is contemptuous; the undiscerning is perhaps impressed, but even then is at the same time repelled, pretentious quotations being the surest road to tedium.
I think the effective use of quotation is an important point in the art of writing. Given sparingly, quotations serve admirably as a climax or as a corroboration, but when they are long and frequent, they seriously weaken the effect of a book. We lose sight of the writer - he scatters our sympathy among others than himself - and the ideas which he himself advances are not knit together with our impression of his personality.
Good writing, and this is especially important in a subject such as economics, must also involve the reader in the matter at hand. It is not enough to explain. The images that are in the mind of the writer must be made to reappear in the mind of the reader, and it is the absence of this ability that causes much economic writing to be condemned, quite properly, as abstract.
Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakeably meant for his ear.
The more imagination the reader has ... the more he will do for himself. He will, at a mere hint from the author, flood wretched material with suggestion and never guess that he is himself chiefly making what he enjoys.
Each reader reads only what is already within himself. The book is only a sort of optical instrument which the writer offers to the reader to enable the latter to discover in himself what he would not have found but for the aid of the book.
In the worst memoirs, you can feel the author justifying himself - forgiving himself - in every paragraph. In the best memoirs, the author is tougher on him- or herself than his or her readers will ever be.
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