A Quote by William Gibson

The future is there... looking back at us. Trying to make sense of the fiction we will have become. — © William Gibson
The future is there... looking back at us. Trying to make sense of the fiction we will have become.
The future is there," Cayce hears herself say, "looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.
I guess it must be a time-of-life thing, looking back and trying to make some sense of who I am and where I've been. It's a weird thing, having to give an account of yourself, to try to make sense of yourself for yourself. I'm not that old, but I have been writing fiction professionally for a long time now. I started so young and went so hard for so long. And I guess it was about feeling I had the space to look over my shoulder.
If you're a gardener, or creating a garden you're clearly looking to the future. You have a sense of your own future and a sense of yourself in that space. People coming here feel that hope, that renewal, and that sense of regeneration. They get their hands dirty and connect back to the ground, which is what we feel strongly about - giving everybody the opportunity to get connected to the earth.
This world is filled with things that will never make sense. Trying to make so much sense of them will only result in one thing: Spending the rest of your life trying to remember what you were like before any of it mattered.
Trying to predict the future is like trying to drive down a country road at night with no lights while looking out the back window.
Now we cannot...discover our failure to keep God's law except by trying our very hardest (and then failing). Unless we really try, whatever we say there will always be at the back of our minds the idea that if we try harder next time we shall succeed in being completely good. Thus, in one sense, the road back to God is a road of moral effort, of trying harder and harder. But in another sense it is not trying that is ever going tobring us home. All this trying leads up to the vital moment at which you turn to God and say, "You must do this. I can't.
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of human condition that something as precious as the future is entrusted to us when we possess so little foresight. Perhaps that's what makes hindsight so intriguing. When you're young the future is a blank canvas, but looking back you are always able to see the big picture.
The Eyes of the Future are looking back at us and they are praying for us to see beyond our own time.
My first book was called, 'Mountain, Get Out of My Way,' where I did an autobiographical sketch, if you will, looking back at myself and looking back at things in my life, and juxtaposing them against things that are happening in other people's lives and trying to be motivational.
Our ability to look back on the past, our need or desire to make sense of it, is both a blessing and a curse; and our inability to see into the future with any degree of accuracy is, simultaneously, the thing that saves us and the thing that condemns us.
That's the best thing that classic can do, is it can return to us from our own past to give us lessons about the future, and it can give us a sense of both who we were and who we could become.
I'm trying to make a case for those people who don't have a sense of belonging that they should have, that there is something really worthwhile in having a sense of belonging, and recasting and looking at our modern history.
You don't need to predict the future. Just choose a future -- a good future, a useful future -- and make the kind of prediction that will alter human emotions and reactions in such a way that the future you predicted will be brought about. Better to make a good future than predict a bad one.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
For all my years in public life, I have believed that America must sail toward the shores of liberty and justice for all. There is no end to that journey, only the next great voyage. We know the future will outlast all of us, but I believe that all of us will live on in the future we make.
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