A Quote by William Gibson
I realized that everyone in Western society, in some weird way, believes that they've had the experience of producing feature films.
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I've looked up to Anushka Sharma, she has inspired me, specially how she has taken her career so well. She is producing films, started off at a young age, she is making the films she wants to, producing the ones she believes in.
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
I see myself starring in and producing major feature films.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
Everyone at a performing arts schools is weird. The weirder you were, the better. If you weren't weird in some way, they'd look at you and be like, 'Who's that square?'
I'm a person who believes that if a team that's producing a champion and producing contenders in that same division, then the coaches should be proud of that and pat themselves on the back because they're really creating a dynasty, so that's the way I take it.
I think part of the reason ideas haven't come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It's experienced and then forgotten.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
I never try and send messages through my feature films; it's always naturally woven in and comes through on its own, as that's the way I think about society.
During your life, everything you do and everyone you meet rubs off in some way. Some bit of everything you experience stays with everyone you've ever known, and nothing is lost. That's what is eternal, these little specks of experience in a great, enormous river that has no end.
I eventually realized that direct experience is the most valuable experience I can have. Western man is so surrounded by ideas, so bombarded with opinions, concepts, and information structures of all sorts, that it becomes difficult to experience anything without the intervening filter of these structures.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
People are more willing to talk about child abuse. When this whole McMartin thing went down, I was at a dinner party with about eight people, all from different backgrounds and from all over the world. And every single person at that table had had some weird experience as a child. I think everyone has - whether it was with a babysitter, or playing doctor, but usually when some older person tries to come in contact with you. It's amazing how much we block out.
A society which believes in a worthwhile future saves in the present so as to invest in the future. Contemporary Western society spends in the present and piles up debts for the future, ravages the environment, and leaves its grandchildren to cope with the results as best they can.
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