A Quote by William Gibson

Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.
I was in and out of comas until I was nine and I would lose entire days and weeks. The novelty of being able to really do stuff hasn't worn off - I still feel like I'm making up for lost time.
There are three things which the public will always clamor for, sooner or later: namely, novelty, novelty, novelty.
There are three things which the public will always clamour for, sooner or later; namely: novelty, novelty, novelty.
My old man taught me a lot of stuff in his death that I don't even know if he would have been able to teach me had he been alive. And that was to never do stuff that can jeopardize the people you love and hurt them.
My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.
Avoid the profane novelty of words, St. Paul says (I Timothy 6:20) ... For if novelty is to be avoided, antiquity is to be held tight to; and if novelty is profane, antiquity is sacred.
As a rule, I think people in L.A. are interested in any writer who brings a different skill set and experiences. There's an attraction to novelty and to anyone whose writing isn't based in screenwriting. I had that novelty.
A type of revolutionary novelty may be extremely beautiful in itself; but, for the creatures of habit that we are, its very novelty tends to make it illegible, at any rate to begin with.
No one would ever have heard Marcus Hummon's version of 'Cowboy, Take Me Away' if he hadn't recorded it on the Sampler. I would have heard it because I hear him sing all the time, but no one else would have been able to enjoy it, and now they can and will be able to for years.
First, at a certain point, I wanted to have my own magazine, but I never could. Why? Because I am not commercial enough. The people who would have been able to give me my own magazine, they were not insulting me, but they would simply say, "It wouldn't work for you." And that was a big disappointment to me.
My lawyer's opinion is that the cops might not actually be able to charge me with criminal damage any more - because theoretically my graffiti actually increases the value of property rather than decreasing it. That's his theory, but then my lawyer also believes wearing novelty cartoon ties is a good look.
I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
People would be surprised if they knew how shitty my recording situation has been over the years. It took a lot of work to make the music sound ok. Having space where you can't be heard is more important than not being able to hear. If you can't be heard you feel more free when you work.
The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
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