A Quote by William Gibson
Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
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When something bad is written about me, I find it hurtful. So I choose not to look at it.
I go through a lot of bad stuff, because most of the stuff that's written is pretty bad. But occasionally something comes along that's good, and I want to do it.
In TV, I did scripts that were not well-written, and I learned how to make bad material okay. That's a hard thing to do; you can learn bad habits, but you can also learn to find something in anything.
Sometimes there are those that have been dealt a bad hand at life and are dealing with some heavy issues. The least I can do is try to brighten a persons day.
It is much, much worse to receive bad news through the written word than by somebody simply telling you, and I’m sure you understand why. When somebody simply tells you bad news, you hear it once, and that’s the end of it. But when bad news is written down, whether in a letter or a newspaper or on your arm in felt tip pen, each time you read it, you feel as if you are receiving the bad news again and again.
How do you deal with it?" Kami asked Jared. "The laughing at nothing and occasionally stopping dead in your tracks." "I have a system where when I stop, I lean casually against something," Jared told her. "It makes people think I'm a bad boy. Or possibly that I have a bad back.
What I try to do is to look ahead of me and not look back. Whether that's a good thing or bad thing, I'm just focused on trying to get better.
And then, as if written by the hand of a bad novelist, an incredible thing happened.
Sitting here now today, I can forgive a lot of the English people because it only takes a hand full of bad people to do something stupid like that and it can make the whole country look bad.
When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.
Interestingly enough, there is a really different dynamic when you're directing something that somebody else has written compared to when you're directing something that you've written. And there's a good and a bad side to it. I think the bad side is that you never feel the same level of connection to the material - you just don't.
Writer’s block is my unconscious mind telling me that something I’ve just written is either unbelievable or unimportant to me, and I solve it by going back and reinventing some part of what I’ve already written so that when I write it again, it is believable and interesting to me. Then I can go on. Writer’s block is never solved by forcing oneself to “write through it,” because you haven’t solved the problem that caused your unconscious mind to rebel against the story, so it still won’t work – for you or for the reader.
Those who were so long imprisoned in ice and darkness seem to find the sunlight jarring, painful. The longer I walk around with this grief inside me, the more I understand that. It’s as if sunshine is a slap in the face that says, Look, the world’s all bright and shiny! Too bad you’re not.
The closest thing to an outline is, because my memory is so bad now, if something occurs to me that I think might be important or pivotal, a lot of times I'll scribble notes down somewhere until I can get back to the book. Of course half the time I look at those notes the next morning and think, "What was that about?"
Every once in awhile, we all get a bad hand dealt to us.
I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.
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