A Quote by William Gibson

My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.
I would be delighted to show my film in the Viennale. I do not offer press kits. I do not offer stills. I do not offer screeners. I do not offer DVD's. I do not offer posters. I require a first-class flight to bring the print however I do not offer any photo ops or press exchange in any way. My fee for showing my film is $35,000 dollars US.
The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
It is essential for genetic material to be able to make exact copies of itself; otherwise growth would produce disorder, life could not originate, and favourable forms would not be perpetuated by natural selection.
My generation remembered going to the movies as an event. We would see these things, we would bring them home, and we would think about them for years because it would take a long time before they would go on television where you could re-experience the fun that you had when you watched them.
In my ideal world, my next novel would have a first printing of, say, 2,500 hardcovers for reviewers, libraries, collectors, and autograph hounds. The publisher could print more copies if they get low. And simultaneously, or six weeks later, the book would be available in paperback.
Question four: What book would you give to every child? Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads. That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside.
I don't have a collection, but I have a thing with jackets. I really like jackets. Whether it's an '80s motorbike jacket, or a Victorian jacket. I could wear the same jeans every day for months, but the jacket would be the thing that would change a lot.
My dream was to be known as a writer and to be able to produce at least one book that would be read by people. That dream came true with the publication of my first novel - and all the rest has been a sweet bonus.
I asked my publisher what would happen if he sold all the copies of my book he'd printed. He said 'I'll just print another ten'.
I would train every day after school from 3.30pm until 5.30pm and then I had to take three buses to get home, which would take at least two hours.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
My mom is the kind of mom, when we would go to a friend of the family's house, and they would offer us something to drink or offer us something to eat, my mother would always say, 'Tell them no.' You could be starving - you could be dehydrated - but as kids, we were supposed to tell the host, 'No.'
I did rough hustling, what they call 'playing against the wall.' I just played myself with the players, so I would pay; I would make them shill. I would pay certain players and then take from others.
I would like to pilot a government-led scheme, alongside Help to Buy, to offer a loan to young people on a reasonable income to be able to pay the deposit on a new home and then swap their high rents for a mortgage and actually have a place of their own.
At our theaters we only see feeble copies of the copies that have proceeded them, renounce that slavish routine which keeps your art in its infancy; examine everything relative to the development of talents; be original; form a style for yourselves based on your private studies; if you must copy, imitate nature, it is a noble model and never misleads those who follow it.
When I was seven, my mom would come home every day, and I would have the phone book open to talent agencies, and I would have them highlighted.
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