A Quote by William Gibson
If I write something set 60 years in the future, I am going to have to explain how humanity got there, and that's becoming quite a big job.
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People are going to be living quite soon for 100 years. Our idea of how a family works no longer applies. It's no good saying you're going to have children for 15 years and then you're going to retire and have hobbies, because you've got 40 more years to go after 60 and you're in good health until 90 or something.
I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.
But, it has something to do with having belief in a human future and what that human future is. What is the future of humanity? How does this whole experiment not self-destruct with the environment and everything else going on?
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.
Me, in all aspects of my life, I'm thinking about how can I maximize my skill set and who I am as a person. That's part of my job in becoming a better receiver.
Becoming a vampire is forever. You don't get to change your mind about it later. For me, I think that's one of the big drawbacks with anything that's permanent. How do you know how you're going to feel in five years or 10 years? Even with a tattoo.
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
I am quite comfortable doing a fashion shoot in a bikini. It's no big deal. But on the film's set, with a hundred people milling around, I got nervous.
'Mars et Avril' is a science fiction film. It's set in Montreal some 50 years in the future. No one had done that kind of movie in Quebec before because it's expensive, it's set in the future, and it's got tons of visual effects, and it's shot on green screen.
I get the job with the 49ers, and I'm four years removed from my high school coaching days, and I'm going to be coaching Joe Montana, and I'm going, 'How do I approach this? How am I going to do this?'
My process is pretty messy, and there's a lot of creative destruction in it. When I set out to write something, I'll write some passages from it just to figure out who these characters are, how they talk. And I have a dim sense of what it's about and where it's going to go, but I know that's going to change, too.
For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on.
Most of the time each person is immersed in the details of one special part of the whole and does not think of how what they are doing relates to the larger picture. For example, in education, a teacher might say in the next class he was going to "explain Young's modulus and how to measure it," rather than, "I am going to educate the students and prepare them for their future careers".
I was quite academic, quite geeky when I was a kid. I was more interested in going to school than I was in becoming a film star or something.
I got a new 4-track cassette recorder a year or so after high school. For a while I would just stare at it thinking, how am I going to do this if I don't play guitar or keyboards? How am I going to write and record a song if I don't know how to play any instruments? I mean, I played the violin, but I didn't know anything about how to work a 4-track.
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