A Quote by William Gilmore Simms
There is a native baseness in the ambition which seeks beyond its desert, that never shows more conspicuously than when, no matter how, it temporarily gains its object.
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The object of ambition, unlike that of love, never being wholly possessed, ambition is the more durable passion of the two.
Long before I ever saw the desert I was aware of the mystical overtones which the observation of nature made audible to me. But I have never been more frequently or more vividly aware of them than in connection with the desert phenomena.
All that is limited by form, semblance, sound, color is called object. Among them all, man alone is more than an object. Though, like objects, he has form and semblance, He is not limited to form. He is more. He can attain to formlessness. When he is beyond form and semblance, beyond "this" and "that," where is the comparison with another object? Where is the conflict? What can stand in his way? He will rest in his eternal place which is no-place. He will be hidden in his own unfathomable secret. His nature sinks to its root in the One. His vitality, his power hide in secret Tao.
If you can survive in the desert, you survive anywhere. I know more than anything life in desert. You can tell by looking at the dirt how long ago it rained, how hard it rained, how much water came through. You can by looking at a plant, a tree, from an animal's look. I can read the desert like I read my hand.
No matter how serious the trial, how deep the distress, how great the affliction, God will never desert us, He never has, and He never will.
I have four relatively small children, and around fourth grade, they start doing big projects on Native Americas: everything is Native Americans in elementary school. Do you know how many Native American dresses I've sewn, on and on; it's a full yearlong study. And then never again. As journalists, we never even cover Native Americans.
The occurrence of any event where the chances are beyond one in ten followed by 50 zeros is an event which we can state with certainty will never happen, no matter how much time is allotted and no matter how many conceivable opportunities could exist for the event to take place.
That which is denied gains power, and seeks strange and unexpected forms of manifestation.
It is one step, and a giant one, to see clearly and participate in the love that flows between the persons of the Trinity, but even here, God is seen as the object of his own love. It is yet another step to realize that God is beyond all subject and object and is Himself love without subject or object. This is the step beyond our highest experiences of love and union, a step in which self is not around to divide, separate, objectify or claim anything for itself. Self does not know God; it cannot love him, and from the beginning has never done so.
How to find joy? Let your ambition disappear; ambition is the barrier. Ambition means an ego trip: "I want to be this, I want to be that - more money, more power, more prestige."
it is much safer to be feared than loved because ...love is preserved by the link of obligation which, owing to the baseness of men, is broken at every opportunity for their advantage; but fear preserves you by a dread of punishment which never fails.
Literature professes to be important while at the same time considering itself an object of doubt. It confirms itself as it disparages itself. It seeks itself: this is more than it has a right to do, because literature may be one of those things which deserve to be found but not to be sought.
Never give out while there is hope; but hope not beyond reason, for that shows more desire than judgement.
An object is great in proportion to its power of resistance to time and the elements. That is why we think the pyramids are great. But see, the desert is greater than the pyramids, and the sea is greater than the desert, and the heavens are greater than the sea.
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.
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