A Quote by William Gilmore Simms
The dread of criticism is the death of genius.
Related Quotes
He who would acquire fame must not show himself afraid of censure. The dread of censure is the death of genius.
For the first time in my life I tasted death, and death tasted bitter, for death is birth, is fear and dread of some terrible renewal.
And death? I don't fear death. I dread the absence of it.
Who doubting tyranny, and fainting under Fortune's false lottery, desperately run To death, for dread of death; that soul's most stout, That, bearing all mischance, dares last it out.
The evil genius of terrorism is that that maximizes unfamiliarity, imaginability, suffering, scale of destruction, unfairness. It's really important to understand why terrorism is so frightening because it is a psychological war and until you understand it and try to reduce the dread, until then you become like a force multiplier for the terrorists inadvertently because you'll tend to overreact to terrorist attacks because the dread factor is so high.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.
Death is the real inspiring genius or Musagetes of philosophy, and for this reason Socrates defined philosophy as thanatou mélétè (preparation for death; Plato, Phaedo, 81a). Indeed, without death there would hardly have been any philosophizing.
Even before 9/11 I was gripped by a sense of dread: our lack of criticism about what we were doing in the Middle East - the slagging off of a whole religious tradition.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
The greatest dread of ordinary man is death, with its rude imposition interrupting fortuitous plans and fondest attachments with an unknown and unwelcome change. The yogi is a conqueror of the grief associated with death. By control of mind and life force and the development of wisdom, he makes friends with the change of consciousness called death-he becomes familiar with the state of inner calmness and aloofness from identification with the mortal body.
Love of life is born of the awareness of death, of the dread of it.
A life of action and danger moderates the dread of death.
Sorrow itself is not so hard to bear As the thought of sorrow coming. Airy ghosts, That work no harm, do terrify us more Than men in steel with bloody purposes. Death is not dreadful; 'tis the dread of death— We die whene'er we think of it!
Destructive criticism is the biggest single enemy of human potential. It is worse than cancer or heart disease. While those diseases can ultimately lead to the deterioration and death of an individual, destructive criticism kills the soul of the person but leaves the body walking around.
Why exactly are we so frightened of death that we avoid looking at it altogether? Somewhere, deep down, we know we cannot avoid facing death forever. We know, in Milarepa's words: "This thing called 'corpse' we dread so much is living with us here and now."
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