A Quote by William Godwin
The man who plays his part upon the theatre of life almost always maintains what may be called an artificial character.
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In civilized life, where the happiness, and indeed almost the existence, of man depends so much upon the opinion of his fellow-men, he is constantly acting a studied part. The bold and peculiar traits of native character are refined away or softened down by the levelling influence of what is termed good-breeding, and he practises so many petty deceptions and affects so many generous sentiments for the purposes of popularity that it is difficult to distinguish his real from his artificial character.
From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
Nature (the Art whereby God hath made and governs the World) is by the Art of man, as in many other things, so in this also imitated, that it can make an Artificial Animal. For seeing life is but a motion of Limbs, the beginning whereof is in some principal part within; why may we not say, that all Automata (Engines that move themselves by springs and wheels as doth a watch) have an artificial life?
Artificial flight may be defined as that form of aviation in which a man flies at will in any direction by means of an apparatus attached to his body, the use of which requires personal skill. Artificial flight by a single individual is the proper beginning for all species of artificial flight, as the necessary conditions can most easily be fulfilled when man flies individually.
The tests of life are to make, not break us. Trouble may demolish a man's business but build up his character. The blow at the outward man may be the greatest blessing to the inner man.
I was sending off my plays almost like an 8-year-old would send letters to Santa Claus. So it was a bit of a miracle when the Blank Theatre Company actually called and selected a terrible little play that I wrote.
a woman may be called a wife and mother for most of her life, while a man is called a husband and father only at his funeral.
Whereas what man can learn about the world through his senses and through the intellect which relies upon sense-observation may be called 'anthropology,' what the spiritual man within us can know may be called 'anthroposophy.'
We should be surprised that a matter that generally plays such an important part in the life of man has hitherto been almost entirely disregarded by philosophers, and lies before us as raw and untreated material.
He is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature.
Character may almost be called the most effective means of persuasion.
A real man doesn't have to run from his mother, and may even have to face the reality that no great deed is going to be great enough for him to ransom himself completely, and he may always be in his mother's debt. If he understands that . . . he won't have to feel guilty, and he won't have to please her completely. He can go ahead and be nice to her and let her be part of his life.
In that film, the man and the part met. As far as I'm concerned, that part is Greg's for life. I've had many, many offers to turn it into musicals, into TV or stage plays, but I've always refused.
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- of the principles which relate his gadgets to the forces of nature, to the universal order. It is not central heating which makes his existence 'unnatural,' but his refusal to take an interest in the principles behind it. By being entirely dependent on science, yet closing his mind to it, he leads the life of an urban barbarian.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
The Character which a youth acquires in the early part of his Life is of great importance towards his future prosperity-one false step may prove irretrievable to his future usefulness.
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