A Quote by William Golding
The greatest pleasure is not - say - sex or geometry. It is just understanding. And if you can get people to understand their own humanity - well, that's the job of the writer.
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When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
Religions are maintained by people. People who can't get laid, because sex is the first great earthly pleasure. But if you can't get that, power is a pretty good second one. And that's what religion gives to people. Power. Power is sex for people who can't get or don't want or aren't any good at sex itself.
What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
You get closer to your own humanity by understanding the stories of other people and the struggles they have.
People will say you cannot get a job in a down economy. People will say you cannot get a job that you love that will pay you well. People will say you can’t do good and do well. They’re wrong, that’s idiotic advice. People will tell you that you cannot change the world. They’re wrong too.
Vampire have their own understanding what freedom is because they just live much longer and they feel they are a superior race and they have their own understanding and their understanding represents the understanding of some people, that - who has the power of course has to rule the world.
People say, 'Well, why don't they get another job, why don't they pick themselves up by their bootstraps?' Well, the people that say that probably have the kind of jobs where they don't work that hard, so maybe they could have another job.
Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
It makes me so angry when people say, "We never hear from people who are happy doing sex work." Well, that's because they're working. The activism privileges people who hated doing sex work, are no longer doing it, and have a job at a social service organization, for example, that trains them on how to speak to the media. We are hearing from those people quite a bit.
The universities have got a job here as well in making sure that people actually understand that we're open for university students coming into the U.K. There's a job here not just for the government, I think there's a job for the universities as well to make sure that people know that we are open.
The art of dining well is no slight art, the pleasure not a slight pleasure; neither the greatest captains nor the greatest philosophers have disdained the use or science of eating well.
Each one of us is left to choose our own quality of life and take pleasure where we find it with the understanding that, like Mom used to say, sooner or later something's gonna get you.
The fact that you are willing to say, 'I do not understand, and it is fine,' is the greatest understanding you could exhibit.
People have this belief that actors are able to go out there and say, 'Oh I choose this job,' but most of the time we're just taking the job we can get. We don't just get offered thousands of jobs; we might earn one job a year and that's the one we'll take because we've got to pay the rent.
Another sex worker and writer I respect put it this way: she said that as a writer, you're not about pleasing people, and as a sex worker it's all about pleasing people. It's all about creating this fantasy. I still feel like as a writer you actually do have put on a show. You can't just hand over your notes. And there is a degree to which you are appealing to the reader's vanity, whether you tell yourself you're doing that or not.
The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematizing the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray's Anatomy.
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