A Quote by William Golding
Maybe half a dozen think they are a community, but, in general terms, I think English writers tend to face outwards, away from each other, and write in their own patch, as it were.
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Writing can be such a lonely endeavor that I do think community is also important.Meeting at cafes and exchanging work and reading to each other and giving each other little bits of encouragement and feedback and thoughts, I think that's an incredibly rich experience because what it does is it gives you a sense of community but also purpose. If I know I'm going to meet you in a cafe next Tuesday, I'm going to write something that I can hand to you. Discipline is such a challenge for so many writers and so I think that that's a key benefit of being in a group.
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
Children's book writers tend to feel quite superior, and adult writers tend to feel they wouldn't know how to write a children's book - which might surprise you because I think a lot of people think it's the other way around.
Skaters, I think they tend to be outsiders who seek a sense of belonging, but belonging on their own terms, and real respect is given by how much we take what other guys do, these basic tricks, 360 flips, we take that, we make it our own, and then we contribute back to the community the inner way that edifies the community itself.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
I feel called to help individuals, to love each human being. I never think in terms of crowds in general but in terms of persons. Were I to think about crowds, I would never begin anything.
My sisters, we didn't like each other as kids. We were scared of each other, I think, but we've grown to love each other. It was fun to write about these sisters who were supposed to hate each other but really don't.
I think maybe writers come from different planets. I mean, not in any sense as extravagant as Baryshnikov. But there are some writers who understand each other this way and others who understand each other that way. Then there's this great herd, the "herd of independent minds."
My feeling is that I think writers in general tend to be self-conscious and it takes a bit of a leap of faith or just not giving a sh-t to write something you know people are going to criticize.
There were personality clashes in Free, really. I think it's as simple as that; I think we felt we weren't leaving each other enough room to develop in our own way, and we were restricting each other. So we said, let's go different ways.
Think light! Try to impart a feeling of lightness to the body. Think light. This can be achieved by mentally extending yourself outwards from the centre of the body, i.e., think tall. Think not just of raising your arms but of extending them outwards and when you are holding them still, think again of reaching still further away from your body. Do not think of yourself as a small compressed suffering thing. Think of yourself as graceful and expanding - no matter how unlikely it may seem at the time.
As a past president of the Writers Guild, I think women shouldn't write for free. Maybe you have to do it for a time, to make a reputation, but I think the idea of giving your work away is the beginning of authors not being able to make a living.
Writers are a loosely knit community - community is an overstated word. Writers don't see each other very much.
I think previously, when fathers and sons argued with each other, they would still face each other and face each other's feelings, but now, the relationships between people has become much more abstracted. I think, actually, in China, the gulf that exists between the pre- and post-internet generations is more vast.
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