A Quote by William Golding

A novel ensures that we can look before and after, take action at whatever pace we choose, read again and again, skip and go back. The story in a book is humble and serviceable, available, friendly, is not switched on and off but taken up and put down, lasts a lifetime.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
The only things I read are gossip columns. If I read three pages of a book, I'm out like a light. When I pick up the book again, I've forgotten what I've read and have to start over again. By page three, even if I've just awakened from a nine -hour nap, I fall asleep again. So if anyone gives me a book, it had better have lots of pictures.
It's an illusion I've noticed before-- words on a page are like oxygen to a petrol engine, firing up ghosts. It only lasts while the words are in your head. After you put down the paper or pen, the pistons fall lifeless again.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
With these big Wagner pieces, if I haven't started three years before, I'm screwed. You need time to look at the piece again and again and again, and then, like some fantastic casserole or spaghetti sauce, put it back in the fridge and let the flavours get together.
Again and again I've taken quick glances and then for some reason I've got to sit before a picture waiting and it's opened up like one of those Japanese flowers that you put into water and something I thought wasn't worth more than a casual, respectful glance begins to open up depth after depth of meaning.
Every other day I read a book. It takes me two days to finish a book. I like reading because if I'm not doing anything, then I read. If my mom tells me to go take out the trash, I'll go take out the trash, and come back and start reading again.
When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.
Of his new book, Don says: “It might be the greatest book ever written. I don’t think anybody is going to read a book again after they read my new one. I think God is proud of me. I am going to make a killing off this thing and I’m going to use the money to go to space.
Normally when I'm sent a script I'll read it through to see how it hangs as a story and then I'll go back and read it through again and look at the character.
My greatest wish — other than salvation — was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland State Hospital to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page 17 and have to go right back to page one again.
Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
You are going around on the wheel again and again. You go around and around from lifetime to lifetime. You never quite wake up. Enlightenment is waking up.
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