A Quote by William Golding

When I wrote 'Lord of the Flies' - I had no idea it would even get published. — © William Golding
When I wrote 'Lord of the Flies' - I had no idea it would even get published.
I had no idea, when I was writing early on, that my poems would be published or read by anyone, never mind people I knew or would meet. I just wrote urgently - naïvely, I suppose, looking back.
I don't think that I had any idea that 'Fear of Flying' would become a part of the culture. I had no idea that it would go all over the world and be published in Chinese and Serbo-Croat and so on.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
I don't know what's wrong with me. When I was a girl they had this aviary in one of my foster homes and I'd go in when no one was looking and put out watermelon rinds to feed the flies. There were all these flies that would have starved if I hadn't, and I'm not even wild about flies. They say it makes you a gentler person if you don't eat meat. But wasn't Hitler a vegetarian?
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
The Lord showed me by vision and revelation what would happen if we did not stop this practice... all ordinances would be stopped... many men would be made prisoners... I went before the Lord, and I wrote what the Lord told me to write.
I didn't think anything I wrote was going to get published. I'm a dyslexic kid who had tutors through college. But I had a very strong impulse to write.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
I would give worlds, if I had them, if The Age of Reason had never been published. O Lord, help! Stay with me! It is hell to be left alone.
I very early caught on that the editor of Cincinnati Post had something specific in mind that he was looking for, and I tried to accommodate him in order to get published. I would turn out rough idea after rough idea, and he would veto eighty percent of them. I pretty much prostituted myself for six months but I couldn't please him, so he sent me packing.
He would say that God had given him a tail to keep the flies off, but that he would sooner have had no tail and no flies.
The idea of a pseudonym had been flitting around my brain for a long time, along with its cognate, disappearance. In the 1980s, I published some poems under a pen name in a literary magazine to see what it would feel like. It was fun. It was even a little thrilling.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
I wrote Rick before I was published, and I had no vision of it, really. It was just a story that occurred to me, and that put its little claws in my brain, and I wrote it, and I showed it to a couple people, and they all said, "This is ghastly."
I had been a student in Vienna, and one of the neat little things I had found out was about that zoo. It was a good debut novel for me to have published. I was 26 or 27 when it was published. I already had a kid and would soon have a second.
I worked on my book for about seven years and I had no idea it would be so timely when it was published.
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