A Quote by William Goldman
Look. (Grown-ups skip this paragraph) I'm not about to tell you this book has a tragic ending. I already said in the very first line how it was my favorite in all the world. But there's a lot of bad stuff coming.
Related Quotes
But if I could do anything? Maybe you would want to be able to save the world, the Voice said. Did you ever think of that? No. I frowned. Leave that to the grown-ups. But grown-ups are the ones destroying the world, the Voice said. Think about it.
Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.
Find something that thrills you, and when you finish reading it for enjoyment, read it again line by line, paragraph by paragraph to see what you liked about it.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
How is Eric?' 'Very tightly wound. Plus, a lot of stuff happened that he'll tell you about.' 'Thanks for the warning. I'll go to the house now. You're my favorite breather.' 'Oh. Well ... great.' She hung up.
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me.
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
Oh, grown-ups cannot understand, And grown-ups never will, How short the way to fairyland Across the purple hill.
Just as I could tell you about my first Andre Norton novel or my first L'Engle or my first Asimov, I could write a paragraph about how each of these writers influenced me, my writing, and my thoughts, and do to this day.
I saw my parents as model grown-ups, and their manner, their silence, informed my sense of what adulthood looked and felt like. Grown-ups behaved rationally and calmly. Grown-ups worked during the day and came home at night and sat down for drinks and passed the evening quietly.
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
We can skip through a lot of the stuff people might ask about the writing of the book, and so their comments always start well, well down into the nitty-gritty.
I'm rereading Jenny Offill's 'Dept. of Speculation.' I love it, and she's just a magician. Line by line and paragraph by paragraph, it's mesmerizing and so intricately plotted and so nimble.
I'm remembering how this works. How life doesn't have to be only anxiety about what's gone wrong or could go worng, and complaints about the world around you. How a person you're excited about can remind you there's stuff going on beyond... routine oil changes and homework. Stuff that matters. Stuff to look forward to.
Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that.
One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily.
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