A Quote by William Goldman

Coming from where I came from, the Midwest, in the era I was born, the '30s, movies were glorious fun - Bette Davis dying or whatever. But whatever they were, they were not serious.
Whomever it is you were born to be, whatever your soul was coded to accomplish, whatever lessons you were born to learn, now is the time to get serious and get going.
Don’t just accept whatever comes your way in life. You were born to win; you were born for greatness; you were created to be a champion in life.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
I was born and raised in the Midwest, where people were taught that decency and integrity and community were all important values. We were democrats with a little 'd.'
Whatever you remember, or feel, you need to know that whatever they were they did one worthwhile thing in their miserable lives. And that was you. Whatever they were, they couldn't destroy that. They couldn't stop you from becoming.
I adore Bette Davis and Vivien Leigh, but more because they were good actresses. That's what makes me interested in them, that they didn't present themselves as idols; they were just doing their jobs.
I adore Bette Davis and Vivien Leigh, but more because they were good actresses. That’s what makes me interested in them, that they didn’t present themselves as idols; they were just doing their jobs.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
You were born with potential. You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness. You were born with wings. You are not meant for crawling, so don't. You have wings. Learn to use them and fly.
If much in the world were mystery the limits of that world were not, for it was without measure or bound and there were contained within it creatures more horrible yet and men of other colors and beings which no man has looked upon and yet not alien none of it more than were their own hearts alien in them, whatever wilderness contained there and whatever beasts.
I was a teenager in the '80s - and maybe I'm wrong about this - but it seemed like a bad era for movies that were scary. It was really the height of movies that were disgusting.
The human beings at the helm of the new nation [USA], whatever their limitations [slave owners, anti-democracy], were truly revolutionary. The theory of liberty born in that era, the seed of the idea, was perfect.More important, the idea itself carried within it the moral power to correct the contradictions in its execution that were obvious from the very birth of the new nation.
Oh, yes, we were on location with Another Man's Poison, which I wrote for Bette Davis.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
The more you're drowning in familiarity, the better the fun is. It requires less novelty to produce even more gratification. And it's something that didn't come from you. It was about the other thing - the thing you were experiencing, or the people you were with, or the mechanism you were operating, or whatever it might be.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
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