A Quote by William Goldman

Writing is finally about one thing: going into a room alone and doing it, putting words on paper that have never been there in quite that way before. — © William Goldman
Writing is finally about one thing: going into a room alone and doing it, putting words on paper that have never been there in quite that way before.
Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before. And although you are physically by yourself, the haunting Demon never leaves you, that Demon being the knowledge of your own terrible limitations, your hopeless inadequacy, the impossibility of ever getting it right. No matter how diamond-bright your ideas are dancing in your brain, on paper they are earthbound.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
Putting words on paper regularly is part of the necessary discipline of writing. A journal is a great way to do that.
Writing is not about self-expression; it is about putting words on paper.
Writing in a journal is just a stall, a waiting game, a way to tell yourself that you're working when you're not, that you're doing something of value when you're just using up paper, that you're a writer when in fact you're just going through the motions of one. Look at me! I have blank paper in front of me-and now I'm filling it, with words!
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
My words, my writing, my actions—these have never been for myself alone, either directly or indirectly. There is no such thing as an artist who creates art only for himself. That is masturbation.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
For so long, the model for writing has been, you sit in a room alone for a number of days or weeks or months or years and figure it out. But now, you don't have to do that; you don't have to be alone in the room anymore.
Although I always loved reading and putting words on paper, I never thought about becoming a writer until I was twelve.
When you look at the sheer volume of paper usage in the U.S. alone, it's truly frightening: paper towels, toilet paper, napkins, writing paper. Our consumption of trees is endless.
I'd never written nonfiction about the war on drugs, but I know a tremendous amount about it: I taught a class on it for seven years. I was putting into words the stuff I was teaching, and I was writing it up and thought, "Dude, you're writing a book."
In the book, D'Artagnan doesn't actually become an official Musketeer until quite near the end, and we make quite a big thing about that. I won't give too much away, but when he finally does make it, they're not going to make it easy for him. That never changes.
Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.
She'd always known he loved her, it had been the one certainty above all others that had never changed, but she had never said the words aloud and she had never meant them quite this way before. She had said it to him, and she hardly knew what she had meant. They were terrifying words, words to encompass a world.
I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line. It's a weird way to move forward. It's kind of like a way to caterpillar your way through these great woods. The best ones, whatever I feel like I'm writing about, some other secret thing will begin to come into focus.
This site uses cookies to ensure you get the best experience. More info...
Got it!