A Quote by William Graham Sumner

History is only a tiresome repetition of one story. — © William Graham Sumner
History is only a tiresome repetition of one story.
History is only a tiresome repetition of one story. Persons and classes have sought to win possession of the power of the State in order to live luxuriously out of the earnings of others
The eight laws of learning are explanation, demonstration, imitation, repetition, repetition, repetition, repetition, repetition.
Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and endure ambiguous loneliness. I would be most gratified if you found enjoyment in these four parts as it takes the same story and metamorphoses it into something different.
I think repetition is the hardest thing to avoid with sequels, because you've told a story and now you're adding more story to the story.
When you are involved with the film and the character, you don't find it tiresome at all. But if you think it's tiresome, it will be.
When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.
The history of man is the history of crimes, and history can repeat. So information is a defence. Through this we can build, we must build, a defence against repetition.
I believe there's no such thing as history; there's only historians, and in English, we've got this word 'his'tory, but what about her story? So that, in the end, the history of the world would be a history of every single one of its members, but of course, you could never get to grips with that.
A myth is far truer than a history, for a history only gives a story of the shadows, whereas a myth gives a story of the substances that cast the shadows.
To say a thing simply: I am my history, but the story of my life is always guarded, self-conscious. It is finally the only story we give to someone we love.
The history needs to serve the story, not the story the history. But at the same time you can't stray too far.
This is the lesson that history teaches: repetition.
History is the torch that is meant to illuminate the past, to guard us against the repetition of our mistakes of other days. We cannot join in the rewriting of history to make it conform to our comfort and convenience.
History is not the story of strangers, aliens from another realm; it is the story of us had we been born a little earlier. History is memory; we have to remember what it is like to be a Roman, or a Jacobite or a Chartist or even - if we dare, and we should dare - a Nazi. History is not abstraction, it is the enemy of abstraction.
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
History is an endless repetition of the wrong way of living.
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