A Quote by William Graham Sumner

Hunger, love, vanity, and fear. There are four great motives of human action. — © William Graham Sumner
Hunger, love, vanity, and fear. There are four great motives of human action.
The universal human laws - need, love for the beloved, fear, hunger, periodic exaltation, the kindness that rises up naturally in the absence of hunger/fear/pain - are constant, predictable, reliable, universal, and are merely ornamented with the details of local culture.
If there is a single quality that is shared by all great men, it is vanity. But I mean by vanity only that they appreciate their own worth. Without this kind of vanity they would not be great. And with vanity alone, of course, a man is nothing.
How can you defy fear? Fear is a human instinct, just like hunger. Whether you like it or not, you become hungry. Similarly with fear. But I have learned to train myself to live with this fear.
Fear is a human instinct, just like hunger. Whether you like it or not, you become hungry. Similarly with fear. But I have learned to train myself to live with the fear.
All human actions are motivated at their deepest level by two emotions--fear or love. In truth there are only two emotions--only two words in the language of the soul.... Fear wraps our bodies in clothing, love allows us to stand naked. Fear clings to and clutches all that we have, love gives all that we have away. Fear holds close, love holds dear. Fear grasps, love lets go. Fear rankles, love soothes. Fear attacks, love amends.
Hope, and fear. Twin forces that tugged at us first in one direction and then in another, and which was the stronger no one could say. Of the latter we never spoke, but it was always with us. Fear, constant companion of the peasant. Hunger, ever at hand to jog his elbow should he relax. Despair, ready to engulf him should he falter. Fear; fear of the dark future; fear of the sharpness of hunger; fear of the blackness of death.
There are only two feelings, Love and fear: There are only two languages, Love and fear: There are only two activities, Love and fear: There are only two motives, two procedures, two frameworks, two results, Love and fear, Love and fear.
Action is a great restorer and builder of confidence. Inaction is not only the result, but the cause, of fear. Perhaps the action you take will be successful; perhaps different action or adjustments will have to follow. But any action is better than no action at all.
Hunger in the midnight, hunger at the stroke of noon Hunger in the banquet, hunger in the bride and groom Hunger on the TV, hunger on the printed page And there's a God-sized hunger underneath the questions of the age
Bean could see the hunger in their eyes. Not the regular hunger, for food, but the real hunger, the deep hunger, for family, for love, for belonging.
It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it… and then the warmth and richness and fine reality of hunger satisfied… and it is all one.
There is hunger for ordinary bread, and there is hunger for love, for kindness, for thoughtfulness, and this is the great poverty that makes people suffer so much.
There are only two energies at the core of the human experience: love and fear. Love grants freedom, fear takes it away. Love invites full expression, fear punishes it. Love invites you, always, to break the bonds of ignorance.
Civilization has little to fear from educated people and brain-workers. In them the replacement of religious motives for civilized behaviors by other, secular motives, would proceed unobtrusively. . . .
The great river-courses which have shaped the lives of men have hardly changed; and those other streams, the life-currents that ebb and flow in human hearts, pulsate to the same great needs, the same great loves and terrors. As our thought follows close in the slow wake of the dawn, we are impressed with the broad sameness of the human lot, which never alters in the main headings of its history--hunger and labour, seed-time and harvest, love and death.
The four great motives for writing prose are sheer egoism, esthetic enthusiasm, historical impulse, and political purpose.
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