A Quote by William H. Gass
I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it.
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I'm a very private person. I like staying home and doing my stuff. I hate people invading on my privacy. I hate talking about my private life.
I'm a real paradox. Because I'm a very serious person, and I take my work very seriously. But I wrap it up in a court jester and a clown and make people laugh and make them feel good about themselves.
If you hate a person, you hate something in him that is part of yourself. What isn't part of ourselves doesn't disturb us.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
I feel fortunate that I've had a lot of songs recorded by other people, because I take my songwriting very seriously. It's only those people that have followed me over the years and really know my work that know how serious I am about all of it - including the way I look. You can't take my high heels from me, you can't have my long fingernails, you can't take all this hair from me, because it's part of this thing that I've become. I wouldn't want to give any of it up. Do I have to be ugly to be a songwriter? This is the way I am, and it's what I choose to be.
If you have sensitivity then mysticism will be part of your life. It's a very beautiful thing and a very real thing but it's not something to not take seriously and it's not something to take seriously.
It's not that I'm a serious person; I'm playful and stuff like that, but I take characters very seriously and the work very seriously.
Ignorant, unconscious and dishonourable part of a society want and like kings, dictators, padishahs and all sort of despots; educated, conscious and honourable part of the same society hate and refuse monarchs, tyrants, oppressors and any kind of autocrats!
The part inside the ropes, the part where people decide if it's a good match or a bad match, that's the part that I take very, very, very, very, very seriously and that I respect the most.
I'm a very private person, a very bookish person. The social world of Hollywood I know nothing about because I choose not to take part.
I am the kind of guy who has never taken myself too seriously. I mean, I am very serious about what I do; I'm very serious about the creative process and everything, but at the end of the day, I am just another lucky geek who got to live out a dream, you know?
I was trying to be very at ease in this arrogant person, and very worldly, but something human came into the part. I hate to say that. I wanted to be totally worldly.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
I hate technology and cellphones. I hate having to have one all of the time. I don't tweet or buzz or bing or whatever! It's a conscious thing - I hate the way that it can take over young people's lives.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
I think people are always really surprised when they realise I'm not a very serious person and that I'm not tremendously serious about acting. I don't like to rehearse; I hate improv. Directors that don't like to talk, they're my favourite ones.
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