A Quote by William H. Gass
I hate ideologies of all kinds, so I avoid jargon. I've done enough philosophy to know that some specialized terms are really needed. I don't complain when Kant does it. Or when Aristotle introduces all kinds of new words; he needed them. But these other people [modern philosophers] are just obfuscating. It just makes me annoyed.
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You do just have to go back to moral philosophy and you've got to say, okay, there is greed, people do want more and more, but then what restrains them and what restrained them in the past was a view of life in which one's satisfaction wasn't the most important thing, that you just, you needed enough and you could say, "Enough is enough." Maybe religion will get you there, maybe just classic moral philosophy, but you have to have some of that, or else you're always on the gravy train.
Others of them employ outward marks ... They style themselves Gnostics. They also possess images, some of them painted and others formed from different kinds of material. They maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world, such as Pythagoras, Plato, and Aristotle, and the rest. They have also other modes of honoring these images just like the Gentiles.
It is important for children to grow up in a world where there are all kinds of adults and role models around them, for them to know it's not just parents and people who are parents that care about them, but that there are people who are living other kinds of lives.
I do realise that talk of natural kinds dates back to Aristotle, but I'd better not say too much about ancient philosophers lest I be convicted of practicing history of philosophy without a license.
In New York we have zillions of different kinds of people, many of them hate each other, but violence based on that hatred is really uncommon here.
There isn't a fight that I'm in that I'm not asking the question, 'What could we have done to avoid this?' Or, 'What can we do to avoid this in the future in terms of the kinds of things that we see?'
I love the language. I'm just totally fascinated by the sound and the look of words and the kinds of cadences you can create with them, the various kinds of music.
I needed real help in New York and I had no friends. I looked up at those buildings, I couldn't see the sky or nothing, and I said, 'Well, there ain't no mountain high enough,' and I just started - the words just fell out of my mouth, really.
No armies are needed, no weapons are needed, no nations are needed, no religions are needed. All that is needed is a little meditativeness, a little silence, a little love, a little more humanity... just a little more, and existence will become fragrant with something so totally unique and new that you will have to find a new category for it.
When Scott and I started, every time we performed we wrote a whole new bit. We didn't know this wasn't the way things were done because we were just starting. But we needed the new material anyway. And it's nice, every time that Matt Besser does the show he does a whole new bit. And it's nice to offer up a place where people can be that experimental while offering some solid, proven comedy as well.
Having done several of them and also loving other kinds of movies, I'm also tougher on suspense stories in terms of finding one that really excites and surprises me.
The spirit around leaving New York, for me, was that I just felt I needed to do something really outside of my comfort zone. And I really couldn't tell you at the time why I needed to do it. It wasn't like I was running from something dark; it was a desire to shake things up.
Honestly, I just needed some guidance my rookie year. I needed to know what to wear, and where to find stuff. It took me like three years to find jeans that fit me!
I've been lucky to learn by playing all kinds of roles and watching all kinds of really good cinematographers, actors, and directors for many years before people were even aware of me in terms of audience.
I know the stars are my home. I learned about them, needed them for survival in terms of navigation. I know where I am when I look up at the sky. I know where I am when I look up at the Moon; it's not just some abstract romantic idea, it's something very real to me. See, I've expanded my home.
I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?
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