A Quote by William H. Gass

Fiction becomes visual by becoming verbal — © William H. Gass
Fiction becomes visual by becoming verbal
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
I think too many comic book covers are way too busy, crammed with far too much information, both visual and verbal, that just becomes a dull noise.
The literary artist lends verbal depth to the visual. The visual artist provides visible articulation for the literary.
My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.
When I shut off the verbal, I like to escape into the visual.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.
Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate
In exorcism, a verbal argument can never do anything. You can't ever beat the entity in a verbal argument because that's what he wants. It's only through a confront, a non-verbal confront, that anything happens. It has to be non-verbal.
Anchors aren't just creating fiction; they're becoming characters in the fiction they themselves create. In the world of TV channels, facts are presented like fiction, so governments aren't inconvenienced; fiction is presented like fact, so governments stay happy.
We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing.
Facebook, instagram - I prefer visual communication better than verbal. But I read all the comments, answering too.
Communicate with visual literacy - Make good use of all the non-verbal ways of communication - color, shape, form, texture.
I do think that science fiction ideas are best expressed through visual media like film and TV. Realist literature depicts things that we have seen in life, but science fiction is different: what it depicts exists only in the author's imagination. When it comes to science fiction, the written word is inadequate.
I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach.
I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.
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