A Quote by William H. Macy
To a certain extent. I'm a fan of rehearsal on the day [of the shoot], more than getting together a week beforehand.
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In theater, there's a lot of discipline involved in doing eight shows a week for a year and a half. It's nice to be able to bring some of that bag of tools with you over to the film world, where you don't have the rehearsal, you don't have an audience. You don't have a month of rehearsal to examine these words, and you meet the guy who's going to play your brother the morning that you shoot the scene. So you need a bag of tools.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
The extent to which we live from day to day, from week to week, intent on details and oblivious to larger presences, is a gauge of our impoverishment in time.
A sitcom, you rehearse for four days of the week and then you shoot it all in one night in front of a studio audience. It's like a play every week, you just shoot it over a seven or eight-day period with a single camera. I enjoy this format of show much more. I'm a feature guy. I like making movies. So the four camera thing I didn't love it that much. I found myself slightly out of my element.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
The policeman on the beat or in the patrol car makes more decisions and exercises broader discretion affecting the daily lives of people every day and to a greater extent, in many respects, than a judge will ordinarily exercise in a week.
I loathe rock stars. I am a music nerd, a fan, a follower... just like any fan of music might be. And although I have blood-relatives, a lot of times I feel closer to my audience than my true family, because at least my fans get what I'm doing, to a certain extent, whereas my family does not.
The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
That's something I kind of started Week 1, so when it got to where I'm getting a little beat up, I have a routine already for getting my body back together. Just getting in the cold tank, making sure you're getting massages.
In terms of the series, we worked separately, getting together in rehearsal to beat out the material.
Mads [Mikkelsen] and I have a really epic brawl - a week shoot, lots of rehearsal - and he was just delightful. He's a dancer and a gymnast so he knows how to plant the moves. He was always saying, "Are you okay?" When you've got that level of mutual consideration you form a family very quickly.
I still let myself be a fan of music and that motivates me to want to be better than certain people or just getting the same love. Nothing is new under the sun so you cant be afraid to take things from others and try to flip them and make them your own at the end of the day.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I like finding things out beforehand, because I'm nervous in disposition, and I worry that if I don't do anything, then I'll turn up and I still won't really have a sense of it, and it might be too late. So I like to get things as organized as I possibly can in my own head, to apply myself to the work before arriving to a late-in-the-day rehearsal, or in extreme cases, the first day on set.
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