A Quote by William H. Macy
The character and the actor in a long-running series slowly become one. I think there must be funny stories about actors who, in the pilot for a TV series, did some weird thing with their eyes, or some speech impediment or something, and the next thing you know, it's eight years later, and they're still doing that freaking gag.
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Unless you have a long-running series, most actors just go job to job if you're lucky to keep working. You just do a movie or a play or a TV thing, and it's over at some point.
I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.
I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.
I think people imitate actors - things they've seen in a movie or on TV, and before you know it, they're doing something with their face or their mouth. It's from some actor they think is cool. They might not even know they're doing it, which is kind of funny.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
The thing is, some girls think they can actually change guys. And what’s funny is that if they actually did change them, they’d get bored. They’d have no challenge left. You just have to give girls some time to think of a new way of doing things, that’s all. Some of them will figure it out here. Some later. Some never. I wouldn’t worry about it too much.
I'm not looking for a series. I love TV. I love developing characters over a long amount of time. I think for an actor it gives you so much material and every season it gives more background and interest and richness. So I would definitely do another series. I'm just waiting for the right thing to come along.
It's not an understatement to say that I owe everything as an actor to 'Merlin.' It was pretty much my first job, and I didn't know what I was doing for many years on it. It wasn't until the third and fourth series - the fourth series especially - that I really found my feet with the character, and as an actress.
Don't write us off. Nobody thought we'd win the World Series in 2005, but we did. There are years when we think we're great, and we're bad. I mean, the funny thing about this game is that you can't figure it out.
That's the really fun thing about writing for series versus just doing a pilot or even doing a feature: you get to live with your actors, and as you learn their voices and they learn your dialog, you're kind of building the characters together.
I becan acting when River was doing this TV series and they needed two kids for the show, so they got me and my little sister, Summer, to do it. After that I did some really weird guest spots with orangutans and stuff.
Really, the golden egg of doing a series is that you cross that very stupid bridge that says 'Name Actors Only' in casting sessions. All of a sudden, you become a name actor; it gives you marquee value. That's all that a series does.
I am a creator of TV shows. 'Lifestyle' ran for 14 years... that was pleasurable. We also had 'Runaway' for eight years. We did two years of a show called 'The Start of Something Big', and we did a network series called 'Fame, Fortune and Romance.'
A long-running TV series is a beast in that it demands you stick to one character over a long haul.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
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