A Quote by William H. Macy

Actors are embracing a new aesthetic, which is leaning more toward truthful and simple and direct, as opposed to what we would normally call sitcom acting. — © William H. Macy
Actors are embracing a new aesthetic, which is leaning more toward truthful and simple and direct, as opposed to what we would normally call sitcom acting.
There are two things that are more difficult than making an after-dinner speech: climbing a wall which is leaning toward you and kissing a girl who is leaning away from you.
Normally, I'd believe that the saying 'There's no small parts, only small actors' is a load of crock because, more often than not, actors relegated to the small-part category stay in 'Who was that guy from that thing' purgatory - however, '90s sitcom 'Friends' proved that the saying is true.
I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all.
Have you considered that the Bible, like all religious doctrine, may be allegorical and symbolic, to direct us toward one holy entity of love, as opposed to a simplistic litiginous text to direct the behavior of human beings?
When Orson Welles was acting in 'Compulsion,' the director Richard Fleischer let him just take over and direct the courtroom scenes. To be able to see Welles - who knew more about directing than anyone - direct himself and the other actors, it was unbelievable and unforgettable.
I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.
I'd like to explore the more abstract side of people's minds, as opposed to the usual sitcom stuff. I don't want to do the typical sitcom-type humor. I'd want to do stuff like go bowling with pineapples.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry.
Growing up and applying to college, I just imagined that I would study acting. But then, once I went to college, I realized I was more interested in all the aspects of filmmaking as opposed to all the aspects of theater, which is what you would have to do if you studied acting at a liberal arts school. And so I thought, "Oh, I'll meet directors and filmmakers, and I'm an actress, so I'll become friends with them and hopefully be in their movies." And then It worked!
I think it's all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That's one thing I do as part of my acting. I don't really separate the two.
I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
The black church is dormant, much of the community is dormant. If the black church is leaning toward the right, much of the community is leaning toward the right. If it is leaning in the left wing direction having repercussions.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
This site uses cookies to ensure you get the best experience. More info...
Got it!