A Quote by William H. Macy
The roughest part is showing up. Once you throw yourself into the scene, it's just great fun to let it all go and not be self-conscious, and stop questioning whether you're sufficient.
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There's a certain truism that you can't be self-conscious in comedy. If I'm in it and if there's a scene that has a great set-up, I will go as far as somebody will let me.
When you are self-conscious you are in trouble. When you are self-conscious you are really showing symptoms that you don't know who you are. Your very self-consciousness indicates that you have not come home yet.
Bore children, and they stop reading. There's no room for self-indulgence or showing off or setting the scene.
Once the big lights come in, you can feel self-conscious. How can you capture the scene without ruining it and freezing people up? You keep it small and lean.
One of the hardest things to do in acting is to stop thinking about yourself and stop being self-conscious.
If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
To have conscious communication with the angels - we all are continuously and unconsciously connecting with our angels, whether we know it or not - you would start in a place you feel comfortable, all by yourself, so you don't feel self-conscious. Then, just think of something you would like help with. For example, say, "Angels, I want a wonderful new job that exercises all my talents and everything I've learned - so I will wake up on Monday mornings and say 'Yippee!' - and that comfortably pays all my bills, plus some." You ask, and then the next step is to let go.
If you're just addressing your own emotions and challenging yourself to find some sort of harmonious sense of being in life and questioning authority and questioning what's given and questioning what's expected of you, you're already on the cusp of finding something in yourself, and maybe waking something in somebody else.
Whether that's racism, whether it's bigotry, whether it's gender inequality - whatever it is, it's all stemming from "me against you." And, like, how do you stop it? I just want to do my little part in helping try to stop it.
Theratre is not like like in film and TV, where you have to stop and go back and keep redoing the same three pages for two hours. You get to go through the whole 80 pages of the script, which is incredible. You get to keep acting on the feelings you had just moments before. You don't have to psych yourself up for the scene. You can just go off what you were already feeling.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
I like getting up in front of an audience. It's fun when you go to a baseball game and the crowd is cheering you. I can't deny it. And it's very funny, too. Sometimes you're shy; you go somewhere and everyone's looking at you, so you feel a little self-conscious.
What’s the point of opening yourself up to your friends if they don’t notice you in your vulnerable state? The point of it all is to love friends completely and utterly, at their best and worst, and to love more than just the good things. It’s about showing that you’re willing to accept them for whatever they are, that they should not feel insecure or self-conscious in your presence, which can be a hard task to achieve.
It's supposed to be fun. You should come to work every day and not have insecurities and not be self-conscious; just be your wonderful, perfect self.
When man thinks in self-conscious submission to the voluntary revelation of the self-sufficient God, he has therewith the only possible ground of certainty for his knowledge.
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